The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 頁 |
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第 1 到 3 筆結果,共 49 筆
第 37 頁
... writer ; yet he is perfectly distinct from every other writer . The power of his mind is stamped on every line . He is a writer of centos , and yet in originality only inferior to Homer . The quantity of art shews the strength of his ...
... writer ; yet he is perfectly distinct from every other writer . The power of his mind is stamped on every line . He is a writer of centos , and yet in originality only inferior to Homer . The quantity of art shews the strength of his ...
第 83 頁
... writer , at least was a barrier against the impertinence , flippancy , and ignorance of the reader . However , the immediate transition from the pedantic to the popular style in literature was a change that must have been very ...
... writer , at least was a barrier against the impertinence , flippancy , and ignorance of the reader . However , the immediate transition from the pedantic to the popular style in literature was a change that must have been very ...
第 96 頁
... writer who has arrived at all the public honours of literature , without being known by name to a single individual , and who may be said to have realised all the pleasure of posthumous fame , while living , without the smallest ...
... writer who has arrived at all the public honours of literature , without being known by name to a single individual , and who may be said to have realised all the pleasure of posthumous fame , while living , without the smallest ...
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常見字詞
actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth