The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 頁 |
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第 1 到 3 筆結果,共 67 筆
第 94 頁
... true fame ; and Dr. Johnson has very beautifully described his patient and confident anticipations of the success of his great poem in the account of Paradise Lost . He has , indeed , done the same thing himself in Lycidas : ' Fame is ...
... true fame ; and Dr. Johnson has very beautifully described his patient and confident anticipations of the success of his great poem in the account of Paradise Lost . He has , indeed , done the same thing himself in Lycidas : ' Fame is ...
第 147 頁
... true . But , we would ask , whether the style of chiaro - scuro , in which Rembrandt painted , is not one fine view of nature and of art ? Whether any other painter carried it to the same height of perfection as he did ? Whether any ...
... true . But , we would ask , whether the style of chiaro - scuro , in which Rembrandt painted , is not one fine view of nature and of art ? Whether any other painter carried it to the same height of perfection as he did ? Whether any ...
第 163 頁
... true patrons , and true critics ; and as there were no others , ( for the world , in general , merely looked on and wondered ) , there can be little doubt , that such a period of dearth of factitious patronage would be the most ...
... true patrons , and true critics ; and as there were no others , ( for the world , in general , merely looked on and wondered ) , there can be little doubt , that such a period of dearth of factitious patronage would be the most ...
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常見字詞
actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth