 | Samuel Richardson - 1804 - 416 頁
...expressed " by so many little strokes of nature and " passion. It is absolute pedantry to pre" fer and compare the madness of Orestes,. " in Euripides, to this of Clementina." There is such a tenderness and innocence in her wanderings, such affecting starts of passion, such... | |
 | Samuel Richardson, Mrs. Barbauld (Anna Letitia) - 1804 - 414 頁
...expressed " by so many little strokes of nature and " passion. It is absolute pedantry to pre" fer and compare the madness of Orestes, " in Euripides, to this of Clementina." There is such a tenderness and innocence in foer wanderings, such affecting starts of passion, such... | |
 | Joseph Warton - 1806 - 420 頁
...wrought up, and expressed by so many little strokes of nature, and genuine passion. Shall I say it is pedantry to prefer and compare the madness of Orestes, in Euripides, to this of Clementina ? It It is probable that this is become the most popular and pleasing tragedy of all Rowe's works,... | |
 | Nathan Drake - 1810 - 524 頁
...expressed by so many little strokes of nature and genuine passion. Shall I say it is pedantry to prefe/ and compare the madness of Orestes in Euripides to this of Clementina ?'' * On the style which Richardson has displayed, • in his three capital works, no encomium can... | |
 | Nathan Drake - 1810 - 528 頁
...wrought up and expressed by so many little strokes of nature and genuine passion. Shall I say it is pedantry to prefer and compare the madness of Orestes in Euripides to this of Clementina?"* On the style which Richardson has displayed, in his three capital works, no encomium can be passed... | |
 | Nathan Drake - 1810 - 530 頁
...wrought up and expressed by so many little strokes of nature and genuine passion. Shall I say it is pedantry to prefer and compare .the madness of Orestes in Euripides to this of Clementina? ' '* On the style which Richardson has displayed, in his three capital works, no encomium can be •passed;... | |
 | Francis Wrangham - 1816 - 532 頁
...expressed by so many little strictures of nature and genuine passion. Shall I say, it is pedantry tp prefer and compare the madness of Orestes in Euripides to this of Clementina ? " nerated since the days of the Spectator, who repeatedly urges the same complaint ! It was Richardson's... | |
 | Englishmen - 1836 - 266 頁
...wrought up, and expressed by so many little strictures of nature and genuine passion. Shall I say it is pedantry to prefer and compare the madness of Orestes in Euripides to this of Clementina ?" The year after the publication of this work, Richardson became master of the Stationers' company.... | |
 | George Godfrey Cunningham - 1853 - 516 頁
...wrought up, and expressed by so many little strictures of nature and genuine passion. Shall I say it ¡8 pedantry to prefer and compare the madness of Orestes in Euripides to this of Clementina ?" The year after the publication of this work, Richardson became master of the Stationers' company.... | |
 | 1858 - 746 頁
...wrought up and expressed by so many little strokes of nature and genuine passion. It is absolutely pedantry to prefer and compare the madness of Orestes in Euripides to this of Clementina." It is impossible to convey an adequate notion of the masterly hand with which Clementina is portrayed,... | |
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Clementina, though a little too fully elaborated, is deeply affecting. In a time when the authority of the classics was greater than it is to-day, Thomas Warton said, " I know not whether even the madness of Lear is wrought up and expressed by so many... 
