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第 1 到 5 筆結果,共 52 筆
第 27 頁
... fault in a voice than to be tremulous ; and “ cheareful ” is surely an unhappy epithet applied to shade ; some cold and laboured , and such as betray too plainly the necessities of rhyme ; such is --- " The water's fall with difference ...
... fault in a voice than to be tremulous ; and “ cheareful ” is surely an unhappy epithet applied to shade ; some cold and laboured , and such as betray too plainly the necessities of rhyme ; such is --- " The water's fall with difference ...
第 46 頁
... fault - as want of unity . [ See Part V. sect . 3. Orig . cap . xxvi . ] Rep . 3. ed . Ser . p . 393. åvev punσews moinois . and lib . x . p . 605 . WOINTNS . Rep . 3 , from D. p . 392 , to D. p . 394 , ed . Ser . μιμητικός § Αλλ ' όταν ...
... fault - as want of unity . [ See Part V. sect . 3. Orig . cap . xxvi . ] Rep . 3. ed . Ser . p . 393. åvev punσews moinois . and lib . x . p . 605 . WOINTNS . Rep . 3 , from D. p . 392 , to D. p . 394 , ed . Ser . μιμητικός § Αλλ ' όταν ...
第 71 頁
... fault or deformity of such a sort as is neither pain- ful nor destructive . A ridiculous face , for example , is something ugly and distorted , but not so as to cause pain . The successive improvements of tragedy , and the respective ...
... fault or deformity of such a sort as is neither pain- ful nor destructive . A ridiculous face , for example , is something ugly and distorted , but not so as to cause pain . The successive improvements of tragedy , and the respective ...
第 79 頁
... fault into which bad poets are betrayed by their want of skill , and good poets by the players : for in order to accommodate their pieces to the purposes of rival performers " in the dramatic contests , they spin out the action beyond ...
... fault into which bad poets are betrayed by their want of skill , and good poets by the players : for in order to accommodate their pieces to the purposes of rival performers " in the dramatic contests , they spin out the action beyond ...
第 88 頁
... fault of that first mentioned : for some of the things from which those proofs are drawn are even such as might have been actually produced as visible sigus 16 , • Another instance is , the discovery by the sound of the shuttle " in the ...
... fault of that first mentioned : for some of the things from which those proofs are drawn are even such as might have been actually produced as visible sigus 16 , • Another instance is , the discovery by the sound of the shuttle " in the ...
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常見字詞
action admit Æneid Æschylus answer antient appears applied Aristotle Aristotle's Athenæus Batteux beautiful called Castelvetro character choral chorus comedy commentators common criticism Dacier diction discovery dithyrambic drama effect Empedocles epic poem epic poetry Euripides example explained expression fable fault Greek Homer iambic idea Iliad imitation instance Iphigenia kind language manners means melody mentioned metaphor metre nature NOTE object observed Orestes painting passage passions Piccolomini plainly Plato pleasure Plutarch poet poetic poetry Polygnotus probably proper quæ Quintilian racter reader reading resemblance respect Rhet rhythm says sect seems sense shew Sophocles sort sound speaking species speech Suidas suppose thing tion tragedy tragic Transl translation verse Victorius whole word writer ἀλλ άλλα γαρ δε δει δια εἶναι εἰς ἐκ ἐν ἐςι και κατα μεν μη οἱ οὐ οὐκ περι προς τα τας τε την το τοις των ὡς
熱門章節
第 27 頁 - And ever against eating cares Lap me in soft Lydian airs Married to immortal verse, Such as the meeting soul may pierce In notes, with many a winding bout Of linked sweetness long drawn out, With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus...
第 169 頁 - English stages, and it is only by a blind confidence in the reputation of Milton that a drama can be praised in which the intermediate parts have neither cause nor consequence, neither hasten nor retard the catastrophe.
第 28 頁 - The noisy geese that gabbled o'er the pool, The playful children just let loose from school, The watch-dog's voice that bayed the whispering wind, And the loud laugh that spoke the vacant mind; These all in sweet confusion sought the shade, And filled each pause the nightingale had made.
第 156 頁 - TRAGEDY, as it was anciently composed, hath been ever held the gravest, moralest, and most profitable of all other poems ; therefore said by Aristotle to be of power, by raising pity, and fear, or terror, to purge the mind of those and such like passions, that is, to temper and reduce them to just measure with a kind of delight, stirred up by reading or seeing those passions well imitated.
第 143 頁 - Which place we'll make bold with, to call it our Abydus, As the Bankside is our Sestos; and let it not be deny'd us.
第 353 頁 - It was in the power of Richardson alone to teach us at once esteem and detestation, to make virtuous resentment over-power all the benevolence which wit, elegance, and courage, naturally excite ; and to lose at last the hero in the villain.
第 76 頁 - For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse.
第 28 頁 - To th' instruments divine respondence meet; The silver sounding instruments did meet With the base murmur of the water's fall: The water's fall with difference discreet, Now soft, now loud, unto the wind did call: The gentle warbling wind low answered to all.
第 337 頁 - Angelo has more of the poetical inspiration; his ideas are vast and sublime; his people are a superior order of beings; there is nothing about them, nothing in the air of their actions or their attitudes, or the style and cast of their limbs or features, that reminds us of their belonging to our own species.
第 98 頁 - Metaphor consists in giving the thing a name that belongs to something else; the transference being either from genus to species, or from species to genus, or from species to species, or on grounds of analogy.