and images of beauty, and whose great success was doubtless a spur to his ambition to attain a like enviable fame. On his return home, the friendship and patronage of the reigning monarch were continued to him. He was made controller of the customs of wine and wool, the revenue from which office, together with a pension that was granted to him, gave him a liberal support. During the whole of the reign of Edward III, his genius and connections ensured to him prosperity, and also during the period of John of Gaunt's influence in the succeeding reign of Richard II, 1377-1399. But during the waning fortunes of that nobleman, Chaucer also suffered, and was indeed imprisoned for a short time; but on the return of the Duke of Lancaster from Spain, 1389, he had once more a steady protector, and on the accession of Henry IV., he had an additional annuity conferred upon him. But he did not live long to enjoy this accession to his fortune, for he died on the twenty-fifth of October, 1400, and was interred in Westminster Abbey. We know little of Chaucer as a member of society; but we know that he had mingled with the world's affairs, both at home and abroad. Accomplished in manners and intimately acquainted with a splendid court, he was at once the philosopher who had surveyed mankind in their widest sphere, the poet who haunted the solitudes of nature, and the elegant courtier whose opulent tastes are often discovered in the graceful pomp of his descriptions. The vigorous yet finished paintings, with which his works abound, are still, notwithstanding the roughness of their clothing, beauties of a highly poetical nature. The ear may not always be satisfied, but the mind of the reader is always filled. Chaucer's genius, like Cowper's, was not fully developed till he was advanced in years; for it was not until he was about sixty, in the calm evening of a busy life, that he composed his great work on which his fame chiefly rests, his CANTERBURY TALES. He took the idea, doubtless, from the Decameron of Boccacio,2 at that time one of the most popular of books. He supposes that a company of pilgrims, consisting of twenty-nine "sundry folk," meet together at the Tabard inn, Southwark,3 on their way to the shrine of Thomas á Becket, at Canterbury. While at supper they agreed, at the suggestion of their host, not only to pursue their journey together the next morn. ing, but, in order to render their way the more interesting, that each should divert the others with a tale, both in going and returning, and that whoever told the best, should have a supper at the expense of the rest; and that the landlord should be the judge. It will thus be seen that the plan of Chaucer is vastly superior to that of Boccacio. His characters, instead of being youthful and from the same city, 1 Read Hippisley's Early English Literature: also, Todd's Illustrations of Gower and Chrucer. "I take unceasing delight in Chaucer. His manly cheerfulness is especially delicious in my old age. How exquisitely tender he is."—Coleridge's Table Talk. Read, also, Chaucer Modernized, 1 vol. 12mo, with a well-written introduction on English poetry by R. H. Horne, and versifications by Wordsworth, Leigh Hunt, and others. ? Boccacio supposes that when the plague began to abate in Florence, (1348,) ten young persons of both sexes retired to the country to enjoy the fresh air, and pass TEN DAYS agreeably. (Hence the Lame DECAMERON, from the Greek dɛka (deku) “ten,” and ǹuepa (hemera) “a day.” Their princt al amusement was in telling tales in turn; and as each of the ten told a story a day, and as they continued together ten days, the Decameron consists of one hundred tales. * Opposite the city of London, on the Thames. For the murder of this famous archbishop in the reign of Henry II., A. D. 1171, see Fistory of England. Canterbury is 53 miles south-east from London. are of matured experience, from various places, and are drawn from different classes of mankind, and consequently are, in their rank, appearance, manners, and habits, as various as at that time could be found in the several departments of middle life; that is, in fact, as various as could, with any probability, be brought together, so as to form one company; the highest and lowest ranks of society being necessarily excluded. But what gives us the greatest admiration of the poet, is the astonishing skill with which he has supported his characters, and the exquisite address that he has shown in adapting his stories to the different humors, sentiments, and talents of the reciters. He has thus given us such an accurate picture of ancient manners as no contemporary writer has transmitted to posterity, and in the Canterbury Tales we view the pursuits and employments, the customs and diversions of the reign of Edward III., copied from the life, and represented with equal truth and spirit. It has been justly remarked, that it was no inferior combination of observation and sympathy which could bring together into one company the many-colored conditions and professions of society, delineated with pictorial force, and dramatized by poetic conception, reflecting them. selves in the tale which seemed most congruous to their humors. The fol lowing are some select characters, as portrayed in the Prologue. THE PROLOGUE. Whenné that April, with his showrés sote,3 Of Engleland to Canterbury they wend,10 1 Read D'Israeli's Amenities of Literature, 3 vols. 8vo. ? In a subsequent age, the great work of Chaucer exerted a powerful influence in helping on the great cause of the Reformation. So much was Cardinal Wolsey offended at the severity with which the papal clergy were treated in the Pilgrim's Tale, that he laid an interdict upon its ever being printed with the rest of the work, and it was with difficulty that the Ploughman's Tale was per mitted to stand. John Fox, (1517-1587,) the historian of the martyrs, thus writes: "But much more I mervaile to consider this, how that the bishops condemning and abolishing all maner of English bookes and treatises, which might bring the people to any light of knowledge, did yet authorize the Workes of Chaucer to remaine. So it pleased God to blind then the eles of them, for the more commodoty of his people." a Sote--sweet. 4 Rote-root. 6 Holt-grove, forest. To make this line consistent with the first. It should read Bull instead of Ram, for he says that the time of this pilgrimage was when the showers of April had pierced into the root the drought of March, so that April, which corresponds to the constellation of the Bull, must have been far advanced Read, Tyrwhill's Introduction to Canterbury Tales. 1 Courages hearts, spirits. 10 Wend go, make way. 9 Hallows-holiness. 9 Couth-known. The holy blissful martyr for to seek That them hath holpen when that they were sick. In fellowship, and pilgrims were they all THE KNIGHT AND SQUIRE. A Knight there was, and that a worthy man Truth and honour, freedom and courtesy. With him there was his son, a youngé Squire, With lockés curl'd as they were laid in press; Embroider'd was he, as it were a mead Short was his gown, with sleevés long and wide; He couldé songés make, and well endite, Joust and eke dance, and well pourtray and write: So hot he loved, that by nightertale10 He slept no more than doth the nightingale: Courteous he was, lowly and serviceable, 1 That is, the inn called "The Tabard." The Tabard was a "jacket, or sleeveless coat, worn in times past by noblemen in the wars, but now only by heralds, and is called their coat of arms in service."-Speght. 2 Wenden-go, make way. 3 Wide-spacious. 4 Eased atté bestcommodiously lodged. 5 Farre-farther. Wonderly deliver-wonderfully active: from the French bre, free. 7 Chevachie, (French, chevauchee,) a military expedition. 8 Conducted himself well, considering the short time that he had served. 9 Floyting-fluting, playing on thu fate, whistling. The squire would not, in all probability, have a flute always with him. 1 soula therefore prefer the reading that he "whistled all the day:" as being a more natural touch er charaoter, as well as in keeping with the hilarity of youth. 10 Nightertale-night-time. THE CLERK.1 A Clerk there was of Oxenford also, Of them that gave him wherewith to scholay.7 THE WIFE. A good Wife was there of besidé Bath, But she was some deal deaf, and that was scathe. Her coverchiefs weren full fine of ground; Full strait ytied, and shoes full moist12 and new. She was a worthy woman all her live; Husbands at the church door had she had five.13 1 In the interesting character of the "clerk" or scholar, whose poverty, delight in study, and inattention to worldly affairs are eminently conspicuous, Warton thinks that Chaucer glanced at the nattention paid to literature, and the unprofitableness of philosophy. That is, a scholar. 3 Ygo-part. past, gone. 4 Overest courtepy-uppermost short cloak. 7 Scholay-study. 8 High sentence-1. e. lofty 10 Haunt-custom. 11 Head-dress. 12 Moist-fresh 5 Lever-rather. period. 6 Hent-catch hold of. Scathe-harm, damage. 13 This alludes to the old custom of the parties joining hands at the door of the church before they went up to the altar to consummate the union; and this jolly dame and good housewife is reproseated as having gone through that interesting ceremony five times, THE PARSON.1 A good man there was of religión, And such he was yprovéd often sithés ;3 Of his off'ring, and eke of his substance; And let his sheep accumbreds in the mire, Ne of his speeché dangerous12 ne digne; 13 1 In describing the sanctity, simplicity, sincerity, patience, industry, courage, and conscientious Impartiality of this excellent parish-priest, Chaucer, as Warton observes, has shown his good sense and good heart. Is not Goldsmith indebted to it for some of the beautiful traits in the character of his Village Preacher, in the Deserted Village ↑ Parishens-parishioners. 3 Sithes-times. 4 Suffisance-sufficiency. 6 Yaf-gave. 7 Lewed-ignorant. b Much and 8 Accumbred-encumbered. lite-great and small. Chantery. An endowment for the payment of a priest to sing mass agreeably to the appoint, tent of the founder. There were thirty-five of these chantries established at St. Paul's, which were served by fifty-four priests.-Dugdale, Hist. pref. p. 41. 10 Withold-withholden, withheld Dispitons-inexorable, angry to excess. 12 Dangerous-sparing. 13 Digne-proud, disdainful |