Mediasphere Shanghai: The Aesthetics of Cultural Production

封面
University of Hawaii Press, 2007 - 278 頁

For many in the west, Shanghai is the quintessence of East Asian modernity, whether imagined as glamorous and exciting, corrupt and impoverishing, or a complex synthesis of the good, the bad, and the ugly. How did Shanghai acquire this power? How did people across China and around the world decide that Shanghai was the place to be?

Mediasphere Shanghai shows that partial answers to these questions can be found in the products of Shanghai s media industry, particularly the Shanghai novel, a distinctive genre of installment fiction that flourished from the 1890s to the 1930s. Shanghai fiction supplies not only the imagery that we now consider typical of the city, but, more significantly, the very forms simultaneity, interruption, mediation, and excess through which the city could be experienced as a business and entertainment center and envisioned as the focal point of a mediasphere with a national and transnational reach. Existing paradigms of Shanghai culture tend to explain the city s distinctive literary and visual aesthetics as merely the predictable result of economic conditions and social processes, but Alexander Des Forges maintains that literary texts and other cultural products themselves constitute a conceptual foundation for the city and construct the frame through which it is perceived.

Working from a wide range of sources, including installment fiction, photographs, lithographic illustrations, maps, guidebooks, newspapers, and film, Des Forges demonstrates the significant social effects of aesthetic forms and practices. Mediasphere Shanghai offers a new perspective on the cultural history of the city and on the literature and culture of modern China in general.

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內容

Introduction
1
Rhetorics of Territory Mixture and Displacement
29
From Street Names to Brand Names The Grid of Reference
56
Synchronized Reading Installment Aesthetics and the Formation of the Mediasphere
73
Desire Industries Constant Motion and Endless Narrative
93
Brokers Authors Shanghai People
114
Marxists and Modern Girls Shanghai Fiction and the 1930s
131
Lineages of the Contemporary and the Nostalgic
160
Shanghai 2000
180
NOTES
185
CHARACTER GLOSSARY
239
BIBLIOGRAPHY
245
INDEX
267
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關於作者 (2007)

Alexander Des Forges is assistant professor of Chinese in the Department of Modern Languages and the Program in East Asian Studies at the University of Massachusetts, Boston.

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