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ship and intimacy of Lord Burlington, Lord Peter. borough, and the other distinguished characters, whose letters make up his published correspond

ence.

His life, indeed, passed in such prosperity as few men of genius have attained by their own efforts. He associated, with the utmost freedom, with all the distinguished characters of his day, with men and women of rank and literary reputation. Yet to none of them was he indebted for that kind of patronage which is usually thought most desirable. His wealth, which was very considerable, was the fair reward of his talents, bestowed by the public; and, without disregarding the maxims of economy, he lived upon an equality with most of those whom he visited. He certainly, however, might have lived with more comfort, if he had not formed the conDexion already alluded to, with Martha Blount, who by some means secured his affection or his sympathy, and tyrannized over him by all the tricks of a selfish and capricious mind.

About the year 1743 his constitution, which was always infirm, began to give way to disease; and although he lingered through several months, death had made very rapid progress in the month of May 1744. On the sixth of that month, he was all day delirious, which he mentioned four days after, as a sufficient humiliation of the vanity of man. He died in the evening of the thirtieth, so placidly, that the attendants did not discern his last minute. He was buried at Twickenham, near his father and mother, where a monument has been erected to him by his commentator, Dr. Warburton.

As few men enjoyed a more envied superiority during their lives, it may be said, with equal truth, that few have been more generally honoured by posterity. In every collection of poetry, Pope stands pre-eminent. No author is oftener read, and none oftener quoted: and he owes this preference to what some critics have objected to him, namely, that he preferred sense and reason to imagination. But does not the unrivalled popularity of his works show, at the same time, that the preference he gave is that of truth and nature, since it is an acknowledged fact, that men read the higher efforts of the sublime muśe as tasks, but recur to the writings of Pope as to a never-ending pleasure? But, whatever may be in this, the author of the Rape of the Lock, and of the Eloisa, cannot be denied such powers of inven. tion and of pathos as rarely are to be met with. These two poems have produced many imitations, but unquestionably no rival whose pretensions can be allowed.

As the refiner of versification, and the poet of reason, sense, and satire, Pope stands at the head of a school the most numerous of any. Among his imitators, indeed, we find almost all the names of any considerable merit since his days; and if inven. tion has been too much neglected, it may on the other hand be said, that versification has been so much improved, that slovenly rhymes, want of harmony, and rugged lines are no longer tolerated, and no longer excusable. Pope has the honour, therefore, of advancing English poetry one important step towards perfection, by refining its language, and smoothing the way towards those efforts of the sublime and the pathetic, which before his time were obscured by uncouth measures, or mixed with pedantic quaintnesses.

His private character is not so consistent with the sense and morals which pervade his works, as could be wished. Yet while he aimed at the grosser gaieties of life, he had many good qualities. He was a' most affectionate son, and a steady friend; and it is probable, that the connexion with the lady who contributed most to the vexation of his latter days, by gaining an improper ascendancy over him, was the result of sympathy for her weakness, or a consciousness that the undisguised freedom of their connexion had endangered her reputation.

PASTORALS;

WITH

A DISCOURSE ON PASTORAL.

WRITTEN IN THE YEAR 1704.

Rura mihi, et rigui placeant in vallibus amnes, Flumina amem, sylvásque, inglorius! VIRG.

The Pastorals were written at the age of sixteen,

and then passed through the hands of Mr. Walsh, Mr. Wycherley, G. Granville, afterwards lord Lansdowne, sir William Trumbull, Dr. Garth, lord Halifax, lord Somers, Mr. Maynwaring, and others. All these gave our author the greatest encouragement, and particularly Mr. Walsh, whom Mr. Dryden, in his Postscript to Virgil, calls the best critic of his age. · The author (says he) seems to have a particular genius for this kind of poetry, and a judgement which much exceeds his years. He has taken very freely from the an. cients; but what he has mixed of his own with theirs, is no way inferior to what he has taken from them. It is not flattery at all to say, that Virgil had written nothing so good at his age. His Preface is very judicious and learned.' Let. ter to Mr. Wycherley, April, 1705. The lord Lansdowne about the same time, mentioning the

B

youth of our Poet, says (in a printed Letter of the Character of Mr. Wycherley), ' that if he goes on as he has begun in his Pastoral way, as Virgil first tried his strength, we may hope to see Eng. lish poetry vie with the Roman,' &c. Notwithstanding the early time of their production, the author esteemed these as the most correct in the versification, and musical in the numbers, of all his works. The reason for his labouring them into so much softness, was, doubtless, that this sort of poetry derives almost its whole beauty from a natural ease of thought, and smoothness of verse; whereas that of most other kinds con. sists in the strength and fulness of both. In a letter of his to Mr. Walsh about this time, we find an enumeration of several niceties in versifi. 'cation, which perhaps have never been strictly observed in any English poem, except in these Pastorals. They were not printed till 1709.

A DISCOURSE ON PASTORAL POETRY.

THERE are not, I believe, a greater number of

any sort of verses than of those which are called Pastorals, nor a smaller than those which are truly so. It therefore seems necessary to give some account of this kind of poem; and it is my design to comprise in this short paper the substance of those numerous dissertations the critics have made on the subject, without omitting any of their rules in my own favour. You will also find some points reconciled, about which they seem to differ; and a few remarks, which, I think, have escaped their observation.

The original of poetry is ascribed to that age which succeeded the creation of the world; and as the

* Written at sixteen years of age.

keeping of flocks seems to have been the first employment of mankind, the most ancient sort of poetry was probably pastoral. It is natural to ima. gine, that the leisure of those ancient shepherds admitting and inviting some diversion, none was so proper to that solitary and sedentary life as singing; and that in their songs they took occasion to celebrate their own felicity. From hence a poem was invented, and afterwards improved to a perfect image of that happy time; which, by giving us an esteem for the virtues of a former age, might recommend them to the present. And since the life of shepherds was attended with more tranquil. lity than any other rural employment, the poets choose to introduce their persons, from whom it received the name of Pastoral.

A pastoral is an imitation of the action of a shep. herd, or one considered under that character. The form of this imitation is dramatic, or narrative, or mixed of both; the fable simple, the manners not too polite nor too rustic: the thoughts are plain, yet admit a little quickness and passion, but that short and flowing : the expression humble, yet as pure as the language will afford; neat, but not flo. rid; easy, and yet lively. In short, the fable, man. ners, thoughts, and expressions, are full of the greatest simplicity in nature.

The complete character of this poem consists in simplicity, brevity, and delicacy; the two first of which render an eclogue natural, and the last de. lightful.

If we could copy nature, it may be useful to take this idea along with us, that pastoral is an image of what they call the Golden Age. So that we are not to describe our shepherds as shepherds at this day really are, but as they may be conceived then to have been, when the best of men followed the employment. To carry this resemblance yet further, it would not be amiss to give these shepherds some skill in astronomy, as far as it may be

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