Lectures on Architecture: Consisting of Rules Founded Upon Harmonick and Arithmetical Proportions in BuildingJ. Brindley, 1734 - 134 頁 |
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第 1 到 5 筆結果,共 23 筆
第 10 頁
... themselves and Pofterity ; but as a Digreffion of this kind would lead me from the Design I propos'd by this Lec- ture , I fhall only fay , that a Knowledge of of Building may , in fome measure , be useful 10 LECTURES on A.
... themselves and Pofterity ; but as a Digreffion of this kind would lead me from the Design I propos'd by this Lec- ture , I fhall only fay , that a Knowledge of of Building may , in fome measure , be useful 10 LECTURES on A.
第 24 頁
... ture . i ¿ THE Mechanick ideally fees Multi- tudes of various Machines for Convey- ance of Timber , Stone , Water & c . all perfect and pleafing to his Imagination : The Mathematician has his Globes , Prisms , Quadrants , Triangles ...
... ture . i ¿ THE Mechanick ideally fees Multi- tudes of various Machines for Convey- ance of Timber , Stone , Water & c . all perfect and pleafing to his Imagination : The Mathematician has his Globes , Prisms , Quadrants , Triangles ...
第 26 頁
... ture's Defign . Nor must he who defigns to be an Architect , load his Mind with Politicks ; he will find Matter enough in the several Branches of that alone , to em- ploy his whole Study to become Master of : No Art is fo narrow and ...
... ture's Defign . Nor must he who defigns to be an Architect , load his Mind with Politicks ; he will find Matter enough in the several Branches of that alone , to em- ploy his whole Study to become Master of : No Art is fo narrow and ...
第 39 頁
... ture ftood long the Glory of Rome , but Fate fuffers it to be buried in Oblivion near 800 Years - fucceffive Ages of Ruin and Defolation ! Nothing but Fragments are left ; and where famous Cities and noble and magnificent Structures ...
... ture ftood long the Glory of Rome , but Fate fuffers it to be buried in Oblivion near 800 Years - fucceffive Ages of Ruin and Defolation ! Nothing but Fragments are left ; and where famous Cities and noble and magnificent Structures ...
第 42 頁
... ture is Grand and Auguft ; there is fome- thing Solemn and Awful in it : It confifts of large and ample Divifions , a bold Re- lievo , and regularly proportion'd : The -Parts were analogous to the Whole , and perform'd with fo exact ...
... ture is Grand and Auguft ; there is fome- thing Solemn and Awful in it : It confifts of large and ample Divifions , a bold Re- lievo , and regularly proportion'd : The -Parts were analogous to the Whole , and perform'd with fo exact ...
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agreeable Antients Architect Architecture Attick Story Beauty becauſe Breadth Building Columns confider'd confift Convenience Corinthian Order Cornice Cube and half Decoration Defcription Defign Depth Diameters diftant Diſtance Dorick Double Cube Drefs Dreſs eafy Entablature erected external Fabrick faid fame feet felf ferve feven fhall fhew fhould fince firft firſt fome foon Foot form'd Front ftill fuch fuppofe fupport Genius GENTLEMEN Gothick Harmonick Height Houfe Houſe Inigo Jones Intercolumniation Ionick Order juft LECTURE lefs Length likewife Magnitude ment moft Morris inv moſt muft muſt Nature neceffary Neceffity noble Numbers obferv'd obferve Ornaments Paffage Palladio perform'd plac'd pleafing pleaſe Pleaſure pofe Portico preferve principal Floor Profile Profpect proper propofe Proportion proportion'd propos'd publick Purpoſes Reaſon render requir'd require Robertus Morris Room mark'd Room marked Rules Scene Situation Society Square Stair-cafes thefe themſelves theſe thofe thoſe tion ture Unifon univerfal uſeful Venetian Window whofe Windows
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第 21 頁 - The bookful blockhead, ignorantly read, With loads of learned lumber in his head, With his own tongue still edifies his ears, And always list'ning to himself appears.
第 81 頁 - I would call Proportion. The joint Union and Concordance of the Parts, in an exact Symmetry, forms the whole a compleat Harmony, which admits of no Medium.
第 94 頁 - Double Cube — the Duplicates of 3, 2 and i — of 4, 3, and 2 — of 5, 4, and 3 — and of 6, 4, and 3, produce all the Harmonick Proportions of Rooms.82 We know that Pope was familiar with this kind of doctrine in its cosmological form.
第 67 頁 - I think, our modern Way of planning Gardens is far preferable to what was us'd 20 Years ago, where, in large Parterres, you might see Men, Birds, and Dogs, cut in Trees...
第 21 頁 - One fcience only will one genius fit; So vaft is art, fo narrow human wit: Not only bounded to peculiar arts, But oft' in thofe confin'd to fingle parts.
第 169 頁 - In detail he describes a summer-house congenial to meditation where "in the cooler hours of reflection a man might retire to contemplate the important themes of human life"; with unnecessary generosity he gives us platitudinous examples of the "noble and felicitous ideas" which might occupy the mind of an architect, a geographer, or an astronomer under such circumstances.
第 94 頁 - We know that Pope was familiar with this kind of doctrine in its cosmological form. It was in fact a commonplace of the age : From Harmony, from heav'nly Harmony This universal Frame began : From Harmony to Harmony Thro...
第 107 頁 - ... the square root of which sum is 62 feet. If the height of the storey is 12 feet, as before mentioned, divide that 62 feet into three windows ; each window will contain 20 feet 8 inches of superficial light, and those will be found to be 3 feet 2J inches broad, and 6 feet 5 inches high, which are windows of two diameters.
第 97 頁 - To find the height of the opening of the chimney from any given magnitude of a room, add the length and height of the room together, and extract the square root of that sum, and half that root will be the height of the chimney.
第 138 頁 - Out-line is to be first form'd ... it is from thence the internal parts, as well as the ornamenting and disposing the proper Voids, and Decoration of the Front, are to be regulated.