Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the Improvement of Youth in Reading and SpeakingHill and Moore, 1820 - 384页 |
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共有 100 个结果,这是第 1-5 个
第8页
... hand neither horizontal nor vertical , but exactly between both . The position of the arm , perhaps will be best des- cribed , by supposing an oblong hollow square formed by the measure of four arms as in plate I , where the arm in its ...
... hand neither horizontal nor vertical , but exactly between both . The position of the arm , perhaps will be best des- cribed , by supposing an oblong hollow square formed by the measure of four arms as in plate I , where the arm in its ...
第11页
... hand , as if lifeless , must drop down to the side , the very moment the last accen- ted word is pronounced ; and the body , without altering the place of the feet , poise itself on the left leg , while the left hand raises itself into ...
... hand , as if lifeless , must drop down to the side , the very moment the last accen- ted word is pronounced ; and the body , without altering the place of the feet , poise itself on the left leg , while the left hand raises itself into ...
第12页
... hand , so necessarily keeps the elbow out , that it would not be improper to make the pupil some- times practise it , though he may have no defect in his make ; as an occasional alteration of the former position to this , may often be ...
... hand , so necessarily keeps the elbow out , that it would not be improper to make the pupil some- times practise it , though he may have no defect in his make ; as an occasional alteration of the former position to this , may often be ...
第14页
... hand open , and the thumb at some distance from the fingers ; and particular attention must be paid , to keeping the hand in an exact line with the low- er part of the arm , so as not to bend at the wrist , either when it is held out ...
... hand open , and the thumb at some distance from the fingers ; and particular attention must be paid , to keeping the hand in an exact line with the low- er part of the arm , so as not to bend at the wrist , either when it is held out ...
第17页
... hand , and stand exactly fronting each other , the im- propriety will be palpable , and the spectacle disgusting . It need scarcely be noted , that if the speaker in a scene , uses that hand which is next the audience , he ought like ...
... hand , and stand exactly fronting each other , the im- propriety will be palpable , and the spectacle disgusting . It need scarcely be noted , that if the speaker in a scene , uses that hand which is next the audience , he ought like ...
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常见术语和短语
action admire appear arms beauty bill body breast Brutus Caius Verres Carthaginians Cesar charms cheerful Chrysippus Cicero Clodius countenance creatures danger death delight Dendermond e'en earth enemy express eyes father fear fortune gesture give glory grace grief hand happiness hath head heart heaven honor hope hour human John Gilpin Jugurtha kind king Lady G live look Lord manner ment Micipsa Milo mind mouth nature never night noble Numidia o'er object pain passion Patricians person pleasure Pompey praise privy counsellor pronunciation Rhadamanthus rise Roman Rome scene sense sentence shew Sicily side sight smile soul sound speak speaker sweet taste tears thee thing thou thought tion tone Trim truth Twas uncle Toby utterance virtue voice whole words YORK PUBLIC LIBRARY young youth
热门引用章节
第366页 - Romans, countrymen, and lovers ! hear me for my cause, and be silent, that you may hear : believe me for mine honour, and have respect to mine honour, that you may believe : censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say that Brutus' love to Caesar was no less than his.
第350页 - For I can raise no money by vile means: By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...
第236页 - The boast of heraldry, the pomp of power, And all that beauty, all that wealth e'er gave, Await alike the inevitable hour: The paths of glory lead but to the grave.
第362页 - Why shrinks the soul Back on herself, and startles at destruction ? 'Tis the divinity that stirs within us; 'Tis Heaven itself that points out an hereafter, And intimates eternity to man.
第261页 - The praise of Bacchus then the sweet musician sung : Of Bacchus ever fair and ever young : The jolly god in triumph comes ! Sound the trumpets, beat the drums ! Flush'd with a purple grace He shows his honest face : Now give the hautboys breath; he comes, he comes! Bacchus, ever fair and young, Drinking joys did first ordain ; Bacchus...
第359页 - tis nobler in the mind, to suffer The slings and arrows of outrageous fortune ; Or to take arms against a sea of troubles, And by opposing end them ? — To die, — to sleep, — No more ; and, by a sleep, to say we end The heart-ache, and the thousand natural shocks That flesh is heir to, — 'tis a consummation Devoutly to be wish'd. To die ; — to sleep : — To sleep ! perchance to dream : — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this...
第249页 - Air, and ye Elements, the eldest birth Of Nature's womb, that in quaternion run Perpetual circle, multiform ; and mix And nourish all things ; let your ceaseless change Vary to our Great Maker still new praise.
第367页 - I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause: What cause withholds you then to mourn for him? O judgment! thou art fled to brutish beasts, And men have lost their reason. Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me.
第342页 - Why, well : Never so truly happy, my good Cromwell. I know myself now ; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
第351页 - Suit the action to the word, the word to the action: with this special observance, that you o'erstep not the modesty of nature; for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form, and pressure.