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ally not a climax of achievement, though it was a severe test of his patience and optimism, a test which, on the whole, he stood with unassuming courage. He sent forth occasional contributions to various American and British magazines and newspapers, besides new editions of his works. The most notable of these latter was the autographed Centennial or Author's Edition in two volumes of prose and verse (1876), designed to be sold in England, his best market, in order to relieve the straitened circumstances of the author, who was then "paralyzed. poor . expecting death," and who had been fleeced by his New York publishers; Specimen Days and Collect (1882-3), a "diary of an invalid," which contains some of Whitman's most characteristic prose and is a storehouse of autobiographical data; and November Boughs (1888), containing reprints of short poems that Whitman had been writing regularly for the New York Herald and of miscellaneous prose essays that had appeared elsewhere, the most significant of these being A Backward Glance O'er Travel'd Roads.

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New friends were made, as faithful as the old. One was Dr. Richard Maurice Bucke, of Canada, who, like Burroughs, hailed the Leaves of Grass as "the bible of democracy" and wrote (1883) the first comprehensive biography of its author, to set him forth as a mystical saviour of the modern world. Another was Thomas B. Harned, in whose hospitable home the poet met, during these later years, not a few American and foreign notables. A third was Horace Traubel, who until Whitman's death was his daily visitor, who, without pay, assisted him in his dealings with printers and publishers, and who has for some years been publishing a minute diary of his talks with the poet during 1888-92. These three friends became, by Whitman's will, his literary excutors. Space is wanting to mention even the most prominent of that host of other visitors, American and foreign, who made Camden the object of their pilgrimages, some with a selfish desire to secure the poet's bold autograph, others with a reverent wish to pay homage to a liberator of the soul. One of the most sincere and unreserved of these tributes was that proffered by Mrs. Anne Gilchrist, the English author (then a widow), who through his poetry came to love the man' and who

'The love-letters of Anne Gilchrist and Walt Whitman have been edited and published by Thomas B. Harned.

later with her children spent two years (1876–1878) in Philadelphia in order to be near him. Assistance of a substantial nature from abroad, due in part to the efforts of Mrs. Gilchrist, who had been the first woman to defend the Children of Adam poems in print, together with similar if somewhat later help from a growing number of friends and readers in America, lightened the burdens of Whitman's last years, affording him comforts that would otherwise have been denied him and giving him hope that the tide of disapproval and misunderstanding which he had been breasting for half a lifetime was beginning at last to turn. When a complication of maladies finally resulted in his death, 26 March, 1892, he had "positively appeared," a prophet and a poet not without honour even in his own country. He was buried, with unique but impressive ceremony, beside a number of near relatives, in a massive and costly tomb which he had built for the purpose the preceding year. Most of his property, valued at a few thousand dollars, was left for the support of an imbecile brother, to care for whom Whitman had for many years saved money from his own small income.

The influence of Whitman has in the past taken three directions. Those of his readers who, like himself, attach most significance to the revolutionary and the religious elements in his writings have naturally been somewhat indifferent as to whether a place could be found for Whitman among the recognized literary coteries. To them he has been a seer profound enough and a lover sincere enough to render ordinary literary criticism an impertinence unless such criticism would content itself with mere exegesis. On the other hand a growing number of readers have seen in Whitman-quite aside from a personality which, for all its philosophical breadth and its friendly sweetness, was hampered by an occasionally repellent sentimental egotism and a marked deficiency in taste a genuine artist and a true poet. All manner of liberal political, sociological, and religious movements have been fathered on Whitman the seer and prophet; while Whitman the poet has become the legitimate founder of the various forms of modern free verse. Criticism that confounds this twofold claim and this twofold appeal of Whitman's writings is destined to make little progress, as is also that criticism which considers the two methods

of approach to be necessarily exclusive. Still a third class of readers, uninterested in poets or prophets, as such, have gone to Whitman for the refreshing presence of a man and a writer who was entirely himself and who loved nature and his fellow

men.

16

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CHAPTER VIII

The New Nation

1. MARK TWAIN

AMUEL LANGHORNE CLEMENS, more widely known as Mark Twain, was of the "bully breed" which Whitman had prophesied. Writing outside "the genteel tradition," he avowedly sought to please the masses, and he was elected to his high place in American literature by a tremendous popular vote, which was justified even in the opinion of severe critics by his exhibition of a masterpiece or so not unworthy of Le Sage or Cervantes. Time will diminish his bulk as it must that of every author of twenty-five volumes; but the great public which discovered him still cherishes most of his books; and his works, his character, and his career have now, and will continue to have, in addition to their strictly literary significance, a large illustrative value, which has been happily emphasized by Albert Bigelow Paine's admirable biography and collection of letters. Mark Twain is one of our great representative men. He is a fulfilled promise of American life. He proves the virtues of the land and the society in which he was born and fostered. He incarnates the spirit of an epoch of American history when the nation, territorially and spiritually enlarged, entered lustily upon new adventures. In the retrospect he looms for us with Whitman and Lincoln, recognizably his countrymen, out of the shadows of the Civil War, an unmistakable native son of an eager, westwardmoving people-unconventional, self-reliant, mirthful, profane,

realistic, cynical, boisterous, popular, tender-hearted, touched with chivalry, and permeated to the marrow of his bones with the sentiment of democratic society and with loyalty to American institutions.

By his birth at Florida, Missouri, 30 November, 1835, he was a Middle-Westerner; but by his inheritance from the restless, sanguine, unprosperous Virginian, his father, who had drifted with his family and slaves through Kentucky and Tennessee, he was a bit of a Southerner and still more of a migrant and a seeker of fortune. His boyhood he spent in the indolent semi-Southern town of Hannibal, Missouri, which, as he fondly represents it, slept for the most part like a cat in the sun, but stretched and rubbed its eyes when the Mississippi steamboats called, teasing his imagination with hints of the unexplored reaches of the river. When in 1847 his father died in poverty brightened by visions of wealth from the sale of his land in Tennessee, the son was glad to drop his lessons and go to work in the office of the Hannibal Journal. There, mainly under his visionary brother Orion, he served as printer and assistant editor for the next six years, and in verse and satirical skits made the first trials of his humour. In 1853, having promised his mother with hand on the Testament "not to throw a card or drink a drop of liquor," he set out on an excursion into the world, and worked his way for three or four years as printer in St. Louis, New York, Philadelphia, Keokuk, and Cincinnati.

Through the winter of 1856-7 he pleased himself with a project for making his fortune by collecting cocoa at the headwaters of the Amazon; and in the spring of 1857 he actually took passage on the Paul Jones for New Orleans. But falling into conversation with the pilot, Horace Bixby, he engaged himself with characteristic impulsiveness as an apprentice to that exacting, admired, and, as it then seemed to him, magnificently salaried king of the river. In return for five hundred dollars payable out of his first wages Bixby undertook to teach him the Mississippi from New Orleans to St. Louis so that he should have it "by heart." He mastered his twelve hundred miles of shifting current, and became a licensed pilot. In the process he acquired without the slightest consciousness of its uses his richest store of literary material.

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