The Burial-places of Memory: Epic Underworlds in Vergil, Dante, and MiltonUniversity of Massachusetts Press, 1987 - 223 頁 |
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第 39 頁
... examples , one of the second type , briefly , and one of the last type at somewhat greater length . Aeneas's speech to his storm - wracked companions after his landing at Carthage in the first book may serve as an example of the way ...
... examples , one of the second type , briefly , and one of the last type at somewhat greater length . Aeneas's speech to his storm - wracked companions after his landing at Carthage in the first book may serve as an example of the way ...
第 42 頁
... example as clear as we could wish of the contrast between the discourse of fate and ordinary human discourse . The Odyssey simply does not deal with contrasts of this depth , which is not to say that it is inferior ( Vergil implies ...
... example as clear as we could wish of the contrast between the discourse of fate and ordinary human discourse . The Odyssey simply does not deal with contrasts of this depth , which is not to say that it is inferior ( Vergil implies ...
第 102 頁
... example , for a thoroughgoing and admiring description of the architecture of ancient Rome . What comes to mind as an example of ancient building in the Commedia is sig- nificantly a moldering burial ground , the ancient cemetery at ...
... example , for a thoroughgoing and admiring description of the architecture of ancient Rome . What comes to mind as an example of ancient building in the Commedia is sig- nificantly a moldering burial ground , the ancient cemetery at ...
內容
The Easy Descent from Avernus | 17 |
Language and History | 57 |
Traditions and the Individual Talent | 118 |
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常見字詞
Adam Aeneas Aeneid already ancient angels appears attempt become beginning Brunetto Latini calls choice comes Commedia complete course Dante Dante's dark dead death demonic describing discourse divine earth effect epic example experience face fact Fall fallen false fate father fear figure final future give gods hand Heaven Hell hero heroic Homeric human imagination important Inferno instance kind king language light lines living look matter means memory metaphor Milton mind narration narrative nature never Odyssey once origins Paradise Lost passage past perhaps phrase pilgrim poem poet poetry precisely present question reason references relation remarkable reminded repeat Satan seems seen sense shades simply speak speech story suggests surely tell things thir tradition turn University Press Vergil vision voice whole writing