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75 cents active admiration already animals appears artist asks beauty become believe bring brought called character clear color court critics direction drama Duke effect enter epigrams experience expressed eyes fact Faust feel friends genius German give given Goethe Goethe's hand happy hear heart hope human idea interest Italy leave less letter light literature live look master means mind moral nature never object once opinion original pass passion philosophic picture play poem poet poetic poetry position present Price produced question reader remains says scene Schiller seems seen Shakespeare soul speak spirit stage stand story student tell theatre thee theory things thou thought tion translation true truth Weimar whole write written wrote youth
第 393 頁 - There lives more faith in honest doubt, Believe me, than in half the creeds.
第 321 頁 - There was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore; — Turn wheresoe'er I may, By night or day, The things which I have seen I now can see no more.
第 102 頁 - Es bildet ein Talent sich in der Stille, Sich ein Charakter in dem Strom der Welt.
第 394 頁 - He fought his doubts and gathered strength, He would not make his judgment blind, He faced the spectres of the mind And laid them ; thus he came at length To find a stronger faith his own.
第 323 頁 - Why, this is hell, nor am I out of it. Think'st thou that I, who saw the face of God And tasted the eternal joys of heaven, Am not tormented with ten thousand hells, In being depriv'd of everlasting bliss?
第 320 頁 - THE dews of summer night did fall, The moon (sweet Regent of the sky!) Silvered the walls of Cumnor Hall And many an oak that grew thereby.
第 265 頁 - His appetite was immense. Even on the days when he complained of not being hungry, he ate much more than most men. Puddings, sweets and cakes were always welcome. He sat a long while over his wine, chatting gaily to some friend or other (for he never dined alone), or to one of the actors, whom he often had with him, after dinner, to read over their parts, and to take his instructions. He was fond of wine, and drank daily his two or three bottles.
第 15 頁 - Iphigenia is melancholy, and pines for her native shores, in spite of the honour which attends, and the good she effects by her influence on Thoas. The fate of her family perturbs her. Thoas has conceived a passion for her. Thou sharedst my sorrow when a hostile sword Tore from my side my last, my dearest son ; Long as fierce vengeance occupied my heart, I did not feel my dwellings...
第 66 頁 - As a tragedy, criticism makes sad work with it ; but when all is said, the reader thinks of Egmont and Clarchen, and flings criticism to the dogs. These are the figures which remain in the memory : bright, genial, glorious creations, comparable to any to be found in the long galleries of Art.
第 203 頁 - ... Camel in its habits ; and returned with a thick volume of facts, arranged without order, expounded without philosophy, but serving as valuable materials for all who came after him. The German, despising the frivolity of the Frenchman, and the unphilosophic matter-of-factness of the Englishman, retired to his study, there to construct the Idea of a Camel from out of the depths of his Moral Consciousness.