Melville & Milton: An Edition and Analysis of Melville's Annotations on MiltonRobin Sandra Grey Duquesne University Press, 2004 - 210 頁 Two decades ago, Herman Melville's marked and annotated copy of John Milton's poetry first came to light. This was the most substantial and tangible evidence of the deep connections between the two authors since Henry R. Pommer's speculative study on Milton and Melville was published a half century ago.Featuring a foreword by John Bryant, this study brings together both Melville and Milton scholars in the same text, and makes available the important artistic connections between these two great authors.Also shared for the first time in this study are Melville's copious annotations to Milton's works, including numerous erased annotations that have only been partially recovered, a significant number of marginal markings and underlinings, all of which together offer us a chance to see one great author's provocative and idiosyncratic response to another.In addition to these annotations, the essays presented here suggest that Milton and his poetry fascinated Melville, provoking him at times to artistic competition in depicting the sublime, providing at other times a measure of companionship as they both explored religious heresies and civil wars in their respective ages. Melville enjoys Milton's combativeness toward institutions, civil and religious, as well as Milton's exposure of the grimness of civil war. But Melville, at times, appears annoyed with Milton's attempts to uphold the absurdities of religious doctrine -- to lend credibility and artistic authority to an otherwise questionable theology. Milton's assurances of faith are beyond Melville's ken, and his theodicy, Paradise Lost, a glorious failure.For Milton scholars, this study demonstrates Milton's very vital artistic and theological "afterlife" in America. For Melville scholars, this book shows Melville in American culture and history; his influence on studies in textuality and performivity and in theology and literary genre. |
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第 1 到 3 筆結果,共 83 筆
第 27 頁
... Satan of Paradise Lost does not devolve into an ever - downward spiral of changing incarnation and shape ( no matter to what extent the latter might have been Milton's deliberate artistic intention ) . 10 Rather , Milton's Satan was ...
... Satan of Paradise Lost does not devolve into an ever - downward spiral of changing incarnation and shape ( no matter to what extent the latter might have been Milton's deliberate artistic intention ) . 10 Rather , Milton's Satan was ...
第 28 頁
... Satan exalted sat ” ( II.5 ) as a grand potentate , 13 but he also well knew ( in imagistic terms ) what Satan could be at his lowest ebb . The Devil is indeed in the detail.14 W An Adequate Conception of Satan Then " Melville was ...
... Satan exalted sat ” ( II.5 ) as a grand potentate , 13 but he also well knew ( in imagistic terms ) what Satan could be at his lowest ebb . The Devil is indeed in the detail.14 W An Adequate Conception of Satan Then " Melville was ...
第 32 頁
... Satan's anguish and sense of exclusion , as well as his imagistic degeneration . One of the moments in the Bible which attracted Melville ( and which he marked in his personal copy ) is the dream of Jacob at Luz , and the celestial ...
... Satan's anguish and sense of exclusion , as well as his imagistic degeneration . One of the moments in the Bible which attracted Melville ( and which he marked in his personal copy ) is the dream of Jacob at Luz , and the celestial ...
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Abdiel Adam Ahab Ahab's allegory allusion American Renaissance angels battle Battle-Pieces Bible blind Book Cambridge Castaway Chorus's Christ Civil Clarel Complicity of Imagination Confidence-Man Critical Dalila death divine edition epic Essays evil faith gate glory God's Harrison Hayford hath Heaven Hell Herman Melville Hershel Parker Holy Isabel Ishmael John Milton Lawrance Thompson light lines literary Longinus Lucifer Lycidas marginalia marked Melville and Milton Melville's annotations Melville's Clarel Melville's Milton Melville's reading Messiah Milton's poetry Milton's Satan Moby Dick Moby-Dick narrative nature Nehemiah never NN MD notes O'More Paradise Lost Paradise Regained passage perhaps Pierre pilgrimage Pip's poem Pommer Princeton University reader Redburn revelation rhetoric Robin Grey Samson Agonistes Satan scored scripture seems Spirit stood sublime symbol thee things Thomas Tanselle thou thought verse voice War in Heaven White Whale words York Zimit کر