Primitivism in Modern ArtVintage Books, 1967 - 289 頁 This book examines the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brucke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a "primitivism of the subconscious" in Miro, Klee, and Dali. |
其他版本 - 查看全部
常見字詞
aboriginal abstract admiration aesthetic African art African sculpture animal appreciation attitude Bathers Berlin Blaue Reiter Brancusi Brücke Cahiers d'art Cameroon Carl Einstein characteristic children's art Collection color composition Congo cubist culture decorative Derain direct Dubuffet elements emotional ethnographical ethnological ethnologists example exhibition exotic expression eyes fauves figures formal forms fundamental Gauguin geometric Henri Rousseau Ibid influence intention interest Ivory Coast Kandinsky Klee Klee's Kunst l'art landscape later Marc's Marquesan masks Matisse Maurice Denis means method Miró modern art modern artist motifs Munich Musée mystical naïve nature Negro sculpture nineteenth century Nolde objects original ornament painters painting Paris Paul Gauguin Paul Klee Picasso portraits primitive art primitivism primitivist psychological purely qualities relation religious rendering romantic romanticism Rousseau savage scenes sculp similar simple simplicity style stylized subject matter suprematist surrealist symbolic technical technique tendency theories tion tive tradition Trocadéro ture Vlaminck wish woodcuts York