Tragedy and Metatheatre: Essays on Dramatic FormHolmes & Meier, 2003 - 250 頁 Lionel Abel's original Metatheatre, now published in the company of new essays, has inspired a whole generation of playwrights and critics since it first appeared in 1963. Indeed, to insiders the very word 'metatheatre', coined by Lionel Abel, has become as familiar as the plays the author uses to exemplify his theory. Abel's basic premise is that "tragedy is difficult if not altogether impossible for the modern dramatist." Having identified the modern, existential dilemma (for both playwright and audience), Abel sets out to provide a theory for its resolution. In doing so he illuminates plays by Sophocles, Shakespeare, Calderón, Racine, Wilde, Genet, Brecht, Beckett, Pirandello, and others with ease and probity, offering a new generation of readers fresh, insightful interpretations. And if anyone thinks Lionel Abel has tempered his style be forewarned: As in his opening critique of those he considers to be playing 'language games', his criticism remains as piercing as ever. |
搜尋書籍內容
第 1 到 3 筆結果,共 27 筆
第 170 頁
... noted that the Father in Six Charac- ters , while philosophically keen and eloquent in his contention that characters of fiction like Sancho Panza are immortal , is hardly more memorable than the other stage types composing his family ...
... noted that the Father in Six Charac- ters , while philosophically keen and eloquent in his contention that characters of fiction like Sancho Panza are immortal , is hardly more memorable than the other stage types composing his family ...
第 201 頁
... noted that the Aristotelian view does not really uncover a form , but rather what happens to us when that form is experienced . Tragedy stimulates us to feel pity and terror , and we are no doubt right to identify as tragedy any ...
... noted that the Aristotelian view does not really uncover a form , but rather what happens to us when that form is experienced . Tragedy stimulates us to feel pity and terror , and we are no doubt right to identify as tragedy any ...
第 244 頁
... noted , is to show how they react to challenges , which is to say , by relying on a dramatic plot . It should be recalled here that Aristotle considered plot to be the very soul of tragedy . Afterword Something about Dostoevsky's ...
... noted , is to show how they react to challenges , which is to say , by relying on a dramatic plot . It should be recalled here that Aristotle considered plot to be the very soul of tragedy . Afterword Something about Dostoevsky's ...
常見字詞
Abel Abel's absurd action actors Aeschylus Agamemnon Antigone Aristotle Athaliah Athalie audience Bakhtin baroque Beckett Bérénice Brecht Calderón called certainly characters Clov Clytemnestra comedy comic Creon critics death Don Quixote Dostoevsky dramatist dream Endgame essay Esslin Euripides expressed fact Falstaff father feel Genet Georg Hegel Ghost Godot Greek tragedy Hamlet Hamm Hegel hero hidden Ibsen imagination implacable values interesting James Joyce Jean Racine Joyce judgment kind King Kitto l'esprit faux Macbeth mean metadrama metaplay metatheatre modern drama modernist Molière moral mother motive murder never notion novel Oedipus operative concepts Oresteia Orestes pessimism Phaedra Philoctetes philosopher Pirandello pity play's playwright plot poet political Polonius Prince protagonist question Racine raisonneur reality scene Shakespeare Shaw Shaw's Sophocles stage play story sure Tartuffe Tecmessa term terror theatre theatrical thing thought tragic sense true verse write writer of tragedy wrong