Tragedy and Metatheatre: Essays on Dramatic FormHolmes & Meier, 2003 - 250 頁 Lionel Abel's original Metatheatre, now published in the company of new essays, has inspired a whole generation of playwrights and critics since it first appeared in 1963. Indeed, to insiders the very word 'metatheatre', coined by Lionel Abel, has become as familiar as the plays the author uses to exemplify his theory. Abel's basic premise is that "tragedy is difficult if not altogether impossible for the modern dramatist." Having identified the modern, existential dilemma (for both playwright and audience), Abel sets out to provide a theory for its resolution. In doing so he illuminates plays by Sophocles, Shakespeare, Calderón, Racine, Wilde, Genet, Brecht, Beckett, Pirandello, and others with ease and probity, offering a new generation of readers fresh, insightful interpretations. And if anyone thinks Lionel Abel has tempered his style be forewarned: As in his opening critique of those he considers to be playing 'language games', his criticism remains as piercing as ever. |
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第 1 到 3 筆結果,共 10 筆
第 37 頁
... motive of the strongest kind , one made sacred by custom . For it was the custom in the Greek cities for families to be in charge of the funeral of the family dead . On the other hand , Creon had only an in order to politi- cal motive ...
... motive of the strongest kind , one made sacred by custom . For it was the custom in the Greek cities for families to be in charge of the funeral of the family dead . On the other hand , Creon had only an in order to politi- cal motive ...
第 38 頁
... motive for killing Claudius . He is strictly limited to a because motive ; to the motive of revenge for his father's death , required of him by the ghost . He does have some doubts about the authenticity of the ghost , and he never ...
... motive for killing Claudius . He is strictly limited to a because motive ; to the motive of revenge for his father's death , required of him by the ghost . He does have some doubts about the authenticity of the ghost , and he never ...
第 39 頁
... motives for his real and also horrible deeds . The dramatic need for both a because and an in order to motive for a drastic action becomes clear when we consider the problem of making credible the deed of suicide , either in a play or ...
... motives for his real and also horrible deeds . The dramatic need for both a because and an in order to motive for a drastic action becomes clear when we consider the problem of making credible the deed of suicide , either in a play or ...
常見字詞
Abel Abel's absurd action actors Aeschylus Agamemnon Antigone Aristotle Athaliah Athalie audience Bakhtin baroque Beckett Bérénice Brecht Calderón called certainly characters Clov Clytemnestra comedy comic Creon critics death Don Quixote Dostoevsky dramatist dream Endgame essay Esslin Euripides expressed fact Falstaff father feel Genet Georg Hegel Ghost Godot Greek tragedy Hamlet Hamm Hegel hero hidden Ibsen imagination implacable values interesting James Joyce Jean Racine Joyce judgment kind King Kitto l'esprit faux Macbeth mean metadrama metaplay metatheatre modern drama modernist Molière moral mother motive murder never notion novel Oedipus operative concepts Oresteia Orestes pessimism Phaedra Philoctetes philosopher Pirandello pity play's playwright plot poet political Polonius Prince protagonist question Racine raisonneur reality scene Shakespeare Shaw Shaw's Sophocles stage play story sure Tartuffe Tecmessa term terror theatre theatrical thing thought tragic sense true verse write writer of tragedy wrong