Lectures on ShakespearePrinceton University Press, 2019年10月8日 - 432 頁 From one of the great modern writers, the acclaimed lectures in which he draws on a lifetime of experience to take the measure of Shakespeare's plays and sonnets |
搜尋書籍內容
第 1 到 5 筆結果,共 63 筆
... feelings and there is a contrast between human passions and a weak body: we must see that. Lear goes mad and sees amiss: the audience must see what is really there.” “A realism is required,” Auden concludes, “that the stage cannot give ...
... feeling, a fear that the relationship cannot be sustained and that, out of pride, it should be stopped now, in death. If they become a married couple, there will be no more wonderful speeches—and a good thing, too. Then the real tasks ...
... feelings that arise through appetite, passion, and desire—skill and free choice remain the dominant interests in historical writing. In The Mirror for Magistrates the character of Salisbury, who appears early in Henry VI, asks himself ...
... “Methinks 'tis prize enough to be his son” (3 Henry VI, II.i.20). But he overcompensates. Because he feels people will believe what they see him 125-80709_Auden_LecturesonShakespeare_5P.indd 17 6/28/19 1:54 AM 17 RICHARD III.
W. H. Auden Arthur C. Kirsch. compensates. Because he feels people will believe what they see him do, not what they hear him say—how could they believe him, looking as he does?—he first distrusts words and believes only in deeds. Thus ...
內容
3 | |
13 | |
The Comedy of Errors and The Two Gentlemen of Verona 23 | 23 |
Loves Labours Lost | 33 |
A Midsummer Nights Dream | 53 |
The Taming of the Shrew King John and Richard II | 63 |
Henry IV Parts One and Two and Henry V | 101 |
The Merry Wives of Windsor | 124 |
Alls Well That Ends Well | 181 |
Antony and Cleopatra | 231 |
Timon of Athens | 255 |
Pericles and Cymbeline | 270 |
Concluding Lecture | 308 |
APPENDIX I | 321 |
Fall Term Final Examination | 341 |
Audens Markings in Kittredge | 347 |