Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... pupil, the fall of his patron, Lodovico il Moro, and the death of his father. Yet we know what a wealth of kindness and affection was stored up in him; how he was indulgent, even to weakness, towards his servants, deferred to their ...
... pupil, the fall of his patron, Lodovico il Moro, and the death of his father. Yet we know what a wealth of kindness and affection was stored up in him; how he was indulgent, even to weakness, towards his servants, deferred to their ...
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... il nostro Leonardo da Vinci” the inhabitants of these regions permit no harm to be done to any living creature.[2] This longing for affection, this liberality, this habit of looking upon their pupils as their family, are traits which the.
... il nostro Leonardo da Vinci” the inhabitants of these regions permit no harm to be done to any living creature.[2] This longing for affection, this liberality, this habit of looking upon their pupils as their family, are traits which the.
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Eugène Müntz. upon their pupils as their family, are traits which the two great painters have in common, but are the very traits that distinguish them from Michelangelo, the misanthropic, solitary artist, the sworn foe of feasting and ...
Eugène Müntz. upon their pupils as their family, are traits which the two great painters have in common, but are the very traits that distinguish them from Michelangelo, the misanthropic, solitary artist, the sworn foe of feasting and ...
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... pupil of his masters, he became their initiator. Leonardo's father seems to have resided more often in Florence than in Vinci, and it was undoubtedly in the capital of Tuscany, and not in the obscure little town of Vinci, that the ...
... pupil of his masters, he became their initiator. Leonardo's father seems to have resided more often in Florence than in Vinci, and it was undoubtedly in the capital of Tuscany, and not in the obscure little town of Vinci, that the ...
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... pupil. If we assume Leonardo was then about fifteen, we shall be within range of probability in default of any certainty. As shown elsewhere, the majority of the artists of the Renaissance were distinguished for their precocity. Andrea ...
... pupil. If we assume Leonardo was then about fifteen, we shall be within range of probability in default of any certainty. As shown elsewhere, the majority of the artists of the Renaissance were distinguished for their precocity. Andrea ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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