Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... Rome, one of his sisters-in-law charged her husband to remember her to the artist, then at the height of his glory. In his will, Leonardo left his brothers, in token of his regard, the 400 florins he had deposited at the Hospital of ...
... Rome, one of his sisters-in-law charged her husband to remember her to the artist, then at the height of his glory. In his will, Leonardo left his brothers, in token of his regard, the 400 florins he had deposited at the Hospital of ...
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... impetus necessary to set this somewhat slow and confused intelligence soaring was – so the biographer Vasari affirms – the sight of the masterpieces of antiquity in Rome. For my part, I am inclined to attribute Verrocchio's evolution.
... impetus necessary to set this somewhat slow and confused intelligence soaring was – so the biographer Vasari affirms – the sight of the masterpieces of antiquity in Rome. For my part, I am inclined to attribute Verrocchio's evolution.
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Eugène Müntz. 24. Michelangelo and Giacomo della Porta, St. Peter's Basilica, drum of the cupola, north-west view, 1546-1590, Rome. 26. Photography: Stairs of the Castle of Chambord.
Eugène Müntz. 24. Michelangelo and Giacomo della Porta, St. Peter's Basilica, drum of the cupola, north-west view, 1546-1590, Rome. 26. Photography: Stairs of the Castle of Chambord.
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... Rome, familiarised him with certain accessories then in fashion, for instance, those ornaments in the antique style which he introduced lavishly in his pictures, where they proclaim their want of harmony with the rest of the composition ...
... Rome, familiarised him with certain accessories then in fashion, for instance, those ornaments in the antique style which he introduced lavishly in his pictures, where they proclaim their want of harmony with the rest of the composition ...
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... Rome, the Uffizi Gallery, and the collection at Christ Church, Oxford – which exhibit a type already very marked, very personal, midway between those of Ghirlandajo and Botticelli, by which I mean that it has all the firmness of the ...
... Rome, the Uffizi Gallery, and the collection at Christ Church, Oxford – which exhibit a type already very marked, very personal, midway between those of Ghirlandajo and Botticelli, by which I mean that it has all the firmness of the ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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