Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... Renaissance may be referred. A long course of reading has enabled me to show a new significance in more than one picture and drawing, to point out the true application of more than one manuscript note. I do not, indeed, flatter myself ...
... Renaissance may be referred. A long course of reading has enabled me to show a new significance in more than one picture and drawing, to point out the true application of more than one manuscript note. I do not, indeed, flatter myself ...
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... Renaissance, and the geometry of universal beauty”. It is true, unhappily, that setting aside his few completed works – the Virgin of the Rocks, the Last Supper, the St Anne, and the Mona Lisa – Leonardo's achievements as painter and ...
... Renaissance, and the geometry of universal beauty”. It is true, unhappily, that setting aside his few completed works – the Virgin of the Rocks, the Last Supper, the St Anne, and the Mona Lisa – Leonardo's achievements as painter and ...
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... Renaissance period. The first represents a youth with a profile pure and correct as that of a Greek cameo, his neck bare, his long, artistically curled hair bound with a wreath of laurel. The second has the same type, but it is treated ...
... Renaissance period. The first represents a youth with a profile pure and correct as that of a Greek cameo, his neck bare, his long, artistically curled hair bound with a wreath of laurel. The second has the same type, but it is treated ...
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... Renaissance; while Giorgione and Raphael died victims of passions too fervently reciprocated; while Andrea del Sarto sacrificed his honour for the love of his capricious wife, Lucrezia Fedi; while Michelangelo, the sombre misanthrope ...
... Renaissance; while Giorgione and Raphael died victims of passions too fervently reciprocated; while Andrea del Sarto sacrificed his honour for the love of his capricious wife, Lucrezia Fedi; while Michelangelo, the sombre misanthrope ...
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... Renaissance did not aspire to be immortalised by that magic brush? Leonardo's subtlety and penetration marked him out as the interpreter par excellence of woman; no other could have fixed her features and analysed her character with a ...
... Renaissance did not aspire to be immortalised by that magic brush? Leonardo's subtlety and penetration marked him out as the interpreter par excellence of woman; no other could have fixed her features and analysed her character with a ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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