Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... Last Supper, the St Anne, and the Mona Lisa – Leonardo's achievements as painter and sculptor are mainly presented to us in marvellous fragments. It is to his drawings we must turn to understand all the tenderness of his heart, all the ...
... Last Supper, the St Anne, and the Mona Lisa – Leonardo's achievements as painter and sculptor are mainly presented to us in marvellous fragments. It is to his drawings we must turn to understand all the tenderness of his heart, all the ...
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... Last Supper and the Gioconda, the sculptor of the equestrian statue of Francesco Sforza, the scientific genius who forestalled so many of our modern discoveries and inventions, was born in 1452 in the neighbourhood of Empoli, on the ...
... Last Supper and the Gioconda, the sculptor of the equestrian statue of Francesco Sforza, the scientific genius who forestalled so many of our modern discoveries and inventions, was born in 1452 in the neighbourhood of Empoli, on the ...
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... Last Supper in Santa Maria delle Grazie, the Angels of the Forteguerra tomb, and the Lady with the Bouquet of the Uffizi Gallery, that meagre bust which is nevertheless so distinguished and fascinating in expression. Another study of ...
... Last Supper in Santa Maria delle Grazie, the Angels of the Forteguerra tomb, and the Lady with the Bouquet of the Uffizi Gallery, that meagre bust which is nevertheless so distinguished and fascinating in expression. Another study of ...
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Eugène Müntz. from his compositions (his only exception to this rule being his Last Supper), in order to leave a wider field for landscape and aerial perspective. The presence of the magnificent classical pedestal which serves the Virgin ...
Eugène Müntz. from his compositions (his only exception to this rule being his Last Supper), in order to leave a wider field for landscape and aerial perspective. The presence of the magnificent classical pedestal which serves the Virgin ...
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... Last Supper. This juxtaposition is difficult to explain if the cartoon was really painted in 1481, some ten years before the fresco. Finally, the style of the cartoon is akin, in parts, to that of Leonardo's works of 1500, rather than ...
... Last Supper. This juxtaposition is difficult to explain if the cartoon was really painted in 1481, some ten years before the fresco. Finally, the style of the cartoon is akin, in parts, to that of Leonardo's works of 1500, rather than ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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