Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... youth with a profile pure and correct as that of a Greek cameo, his neck bare, his long, artistically curled hair bound with a wreath of laurel. The second has the same type, but it is treated in the Italian manner, with greater vigour ...
... youth with a profile pure and correct as that of a Greek cameo, his neck bare, his long, artistically curled hair bound with a wreath of laurel. The second has the same type, but it is treated in the Italian manner, with greater vigour ...
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... in that of types of youths and old men, or of types verging on caricature. It would have been so interesting to have had, even in a series of sketches, a whole iconography by his hand, in addition to the three or four.
... in that of types of youths and old men, or of types verging on caricature. It would have been so interesting to have had, even in a series of sketches, a whole iconography by his hand, in addition to the three or four.
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... youth as his pupil. If we assume Leonardo was then about fifteen, we shall be within range of probability in default of any certainty. As shown elsewhere, the majority of the artists of the Renaissance were distinguished for their ...
... youth as his pupil. If we assume Leonardo was then about fifteen, we shall be within range of probability in default of any certainty. As shown elsewhere, the majority of the artists of the Renaissance were distinguished for their ...
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... youth. As to Zoroastro di Peretola, the pupil, and not the fellowstudent of Leonardo, we shall consider him later on. The reader knows something of the atmosphere that reigned in Verrocchio's studio. Let us now endeavour to trace its ...
... youth. As to Zoroastro di Peretola, the pupil, and not the fellowstudent of Leonardo, we shall consider him later on. The reader knows something of the atmosphere that reigned in Verrocchio's studio. Let us now endeavour to trace its ...
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... what is more, a noble example! The long career of Leonardo da Vinci is a standing witness to the fact that, from youth to old age, he set glory and honour before riches. 31. The Etruscan Mausoleum, c. 1500-1510. Pen and ink, brown.
... what is more, a noble example! The long career of Leonardo da Vinci is a standing witness to the fact that, from youth to old age, he set glory and honour before riches. 31. The Etruscan Mausoleum, c. 1500-1510. Pen and ink, brown.
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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admiration Adoration Amboise Ambrosiana Andrea Andrea del Verrocchio Annunciation antique artist Battle of Anghiari beauty Biblioteca black chalk Botticelli Bramante cartoon century Child Christ Codex Atlanticus collection colour composition contemporaries copy d’Este disciples draperies drawing Duke equestrian statue famous figures Filippino Florence Florentine Francesco Sforza fresco Galeazzo Galleria degli Uffizi Gallery genius Giovanni Giuliano hand head horse Italian Italy Last Supper Leda Leonardo da Vinci less letter Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Madonna Magi Mantegna manuscripts master masterpiece Medici Melzi Metalpoint Michelangelo Milan Milanese models Mona Lisa Müller-Walde Musée du Louvre Museum nature Oil on wood painter painting Paris Pavia Pen and ink Perugino picture Piero portrait pupils Raffaello Sanzio Raphael red chalk Renaissance Rome Royal Library Saint Anne Salai Santa Maria sculptor shows sketch St Anne Vasari Venice Verrocchio Virgin Windsor Castle wood panel young youth