Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... sketch to final touch. Leonardo, as is conclusively shown by my research, achieved perfection only by dint of infinite labour. It was because the groundwork was laid with such minute care, with such a consuming desire for perfection ...
... sketch to final touch. Leonardo, as is conclusively shown by my research, achieved perfection only by dint of infinite labour. It was because the groundwork was laid with such minute care, with such a consuming desire for perfection ...
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... that he showed in that of types of youths and old men, or of types verging on caricature. It would have been so interesting to have had, even in a series of sketches, a whole iconography by his hand, in addition to the three or four.
... that he showed in that of types of youths and old men, or of types verging on caricature. It would have been so interesting to have had, even in a series of sketches, a whole iconography by his hand, in addition to the three or four.
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... sketch, we have some of the traits that made Leonardo the equal of Michelangelo and Raphael, one of the sovereign masters of sentiment, of thought, and of beauty. It is time to make a methodical analysis of so many marvels – I might say ...
... sketch, we have some of the traits that made Leonardo the equal of Michelangelo and Raphael, one of the sovereign masters of sentiment, of thought, and of beauty. It is time to make a methodical analysis of so many marvels – I might say ...
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... sketches to his friend Verrocchio and begged him to give his opinion on them. The impression made, we are told, was excellent, and Verrocchio did not hesitate to accept the youth as his pupil. If we assume Leonardo was then about ...
... sketches to his friend Verrocchio and begged him to give his opinion on them. The impression made, we are told, was excellent, and Verrocchio did not hesitate to accept the youth as his pupil. If we assume Leonardo was then about ...
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... sketch their draperies from nature, carefully noting differences of texture. However refractory Leonardo may have been to contemporary influences, it was impossible that there should have been no interchange of ideas and no affinity of ...
... sketch their draperies from nature, carefully noting differences of texture. However refractory Leonardo may have been to contemporary influences, it was impossible that there should have been no interchange of ideas and no affinity of ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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常見字詞
admiration Adoration Amboise Ambrosiana Andrea Andrea del Verrocchio Annunciation antique artist Battle of Anghiari beauty Biblioteca black chalk Botticelli Bramante cartoon century Child Christ Codex Atlanticus collection colour composition contemporaries copy d’Este disciples draperies drawing Duke equestrian statue famous figures Filippino Florence Florentine Francesco Sforza fresco Galeazzo Galleria degli Uffizi Gallery genius Giovanni Giuliano hand head horse Italian Italy Last Supper Leda Leonardo da Vinci less letter Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Madonna Magi Mantegna manuscripts master masterpiece Medici Melzi Metalpoint Michelangelo Milan Milanese models Mona Lisa Müller-Walde Musée du Louvre Museum nature Oil on wood painter painting Paris Pavia Pen and ink Perugino picture Piero portrait pupils Raffaello Sanzio Raphael red chalk Renaissance Rome Royal Library Saint Anne Salai Santa Maria sculptor shows sketch St Anne Vasari Venice Verrocchio Virgin Windsor Castle wood panel young youth