Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... shows himself a true quattrocentist. The following are a few dates by which to fix the chronology of the master's work. In 1468-1469 we find him engaged on a bronze candelabrum for the Palazzo Vecchio. In 1472, he executed the bronze ...
... shows himself a true quattrocentist. The following are a few dates by which to fix the chronology of the master's work. In 1468-1469 we find him engaged on a bronze candelabrum for the Palazzo Vecchio. In 1472, he executed the bronze ...
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... Vinci e'l Perusino, Pier della Pieve ch'e un divin pittore. Yet another Umbrian, Fiorenzo di Lorenzo of Perugia, appears to have worked in Verrocchio's studio. His first dated work, the altarpiece in the Gallery of Perugia (1472) shows.
... Vinci e'l Perusino, Pier della Pieve ch'e un divin pittore. Yet another Umbrian, Fiorenzo di Lorenzo of Perugia, appears to have worked in Verrocchio's studio. His first dated work, the altarpiece in the Gallery of Perugia (1472) shows.
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Eugène Müntz. work, the altarpiece in the Gallery of Perugia (1472) shows him, at least, to have been influenced by the Florentine master. Lorenzo di Andrea Credi (1459-1537), the son and grandson of goldsmiths, was placed, when quite a ...
Eugène Müntz. work, the altarpiece in the Gallery of Perugia (1472) shows him, at least, to have been influenced by the Florentine master. Lorenzo di Andrea Credi (1459-1537), the son and grandson of goldsmiths, was placed, when quite a ...
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... show an equal taste for all branches of painting. For instance, one who does not care for landscape will declare that it is a matter for short and simple study only. Our Botticelli was wont to say that this study was vain, for you had ...
... show an equal taste for all branches of painting. For instance, one who does not care for landscape will declare that it is a matter for short and simple study only. Our Botticelli was wont to say that this study was vain, for you had ...
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Eugène Müntz. 33. Studies for the Villa Caprini, c. 1506. Pen and ink, 21.2 x 15.2 cm. Biblioteca Reale, Turin. The first, now at Weimar, shows the head of a.
Eugène Müntz. 33. Studies for the Villa Caprini, c. 1506. Pen and ink, 21.2 x 15.2 cm. Biblioteca Reale, Turin. The first, now at Weimar, shows the head of a.
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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