Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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第 1 到 5 筆結果,共 76 筆
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Eugène Müntz. 1. Self Portrait, c. 1512. Red chalk on paper, 33.3 x 21.3 cm. Biblioteca Reale, Turin. 2. The Madonna with a Flower (The Madonna Benois), 1475-1478.
Eugène Müntz. 1. Self Portrait, c. 1512. Red chalk on paper, 33.3 x 21.3 cm. Biblioteca Reale, Turin. 2. The Madonna with a Flower (The Madonna Benois), 1475-1478.
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... portrait; a powerful head with piercing eyes under puckered eyelids, a mocking mouth, almost bitter in expression, a delicate, well-proportioned nose, long hair, and a long disordered beard; the whole suggestive of the magus, not to say ...
... portrait; a powerful head with piercing eyes under puckered eyelids, a mocking mouth, almost bitter in expression, a delicate, well-proportioned nose, long hair, and a long disordered beard; the whole suggestive of the magus, not to say ...
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... portrait of the Gioconda with what tenacity he set to work to reproduce it. It is regrettable that he should not have shown the same ardour in the pursuit of feminine types, really beautiful and sympathetic, seductive or radiant, that ...
... portrait of the Gioconda with what tenacity he set to work to reproduce it. It is regrettable that he should not have shown the same ardour in the pursuit of feminine types, really beautiful and sympathetic, seductive or radiant, that ...
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... portrait of an old man, in body-colour, more closely akin to Lorenzo's pictures, and marked by the same laboured handling: this is the sign manual of the master. It is not impossible that Leonardo may also have met another artist, much ...
... portrait of an old man, in body-colour, more closely akin to Lorenzo's pictures, and marked by the same laboured handling: this is the sign manual of the master. It is not impossible that Leonardo may also have met another artist, much ...
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... portrait of a woman at Windsor; the model here is represented with downcast eyes; a large drawing in silver point, a study for the robe of Christ; lastly, a pen-and-ink drawing, a sketch, with the head of Saint Leonard, in the Uffizi ...
... portrait of a woman at Windsor; the model here is represented with downcast eyes; a large drawing in silver point, a study for the robe of Christ; lastly, a pen-and-ink drawing, a sketch, with the head of Saint Leonard, in the Uffizi ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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