Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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第 1 到 5 筆結果,共 39 筆
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... manuscripts, the complete publication of which was first begun in our own generation by students such as Richter ... manuscript note. I do not, indeed, flatter myself that I have been able to solve all problems. An enterprise such as ...
... manuscripts, the complete publication of which was first begun in our own generation by students such as Richter ... manuscript note. I do not, indeed, flatter myself that I have been able to solve all problems. An enterprise such as ...
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... manuscript he left us, never once does he mention a woman's name, except to note, with the dryness of a professed naturalist, some trait that has struck him in her person: “Giovannina has a fantastic face; she is in the hospital, at ...
... manuscript he left us, never once does he mention a woman's name, except to note, with the dryness of a professed naturalist, some trait that has struck him in her person: “Giovannina has a fantastic face; she is in the hospital, at ...
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... manuscript by Leonardo in the British Museum is an allusion to eruptions of Etna and Stromboli; in the library at Windsor, a description of Cyprus; one manuscript. 69. Domenico Ghirlandaio, The Adoration of the Magi, 1488. Tempera on ...
... manuscript by Leonardo in the British Museum is an allusion to eruptions of Etna and Stromboli; in the library at Windsor, a description of Cyprus; one manuscript. 69. Domenico Ghirlandaio, The Adoration of the Magi, 1488. Tempera on ...
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Eugène Müntz. the library at Windsor, a description of Cyprus; one manuscript at the Institut de France contains a plan of a bridge inscribed, “Ponte da Pera a Costantinopoli”; finally, in a parable on the prohibition of wine, Leonardo ...
Eugène Müntz. the library at Windsor, a description of Cyprus; one manuscript at the Institut de France contains a plan of a bridge inscribed, “Ponte da Pera a Costantinopoli”; finally, in a parable on the prohibition of wine, Leonardo ...
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... manuscripts consists of extracts from ancient or modern authors), he may have transcribed documents composed by others, without taking the trouble to inform the reader (who was indeed, himself only, for he does not seem to have wished ...
... manuscripts consists of extracts from ancient or modern authors), he may have transcribed documents composed by others, without taking the trouble to inform the reader (who was indeed, himself only, for he does not seem to have wished ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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