Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... compositions, the same respect for perspective and geometry in their connection with painting, the same pronounced taste for music, the same tendency to leave a work unfinished and begin a fresh one and, more remarkable still, the same ...
... compositions, the same respect for perspective and geometry in their connection with painting, the same pronounced taste for music, the same tendency to leave a work unfinished and begin a fresh one and, more remarkable still, the same ...
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... composition, the sentiment of which is so unclassical. We must be careful, however, to question the testimony of an author usually so well informed as Vasari on such evidence. If we consider the house of Verrocchio not as an artist's ...
... composition, the sentiment of which is so unclassical. We must be careful, however, to question the testimony of an author usually so well informed as Vasari on such evidence. If we consider the house of Verrocchio not as an artist's ...
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... compositions brilliantly imagined or cunningly put together; warmth of colour combined with the expression of meditation or. 26. Photography: Stairs of the Castle of Chambord. 27. Photography: Stairs of the Castle of Blois. 28. Drawings.
... compositions brilliantly imagined or cunningly put together; warmth of colour combined with the expression of meditation or. 26. Photography: Stairs of the Castle of Chambord. 27. Photography: Stairs of the Castle of Blois. 28. Drawings.
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... compositions; they are either Holy Conversations or Madonnas, these last usually circular in form. The only secular picture known as his is his Venus, in the Uffizi Gallery. His figures are, for the most part, heavy: the Infant Jesus in ...
... compositions; they are either Holy Conversations or Madonnas, these last usually circular in form. The only secular picture known as his is his Venus, in the Uffizi Gallery. His figures are, for the most part, heavy: the Infant Jesus in ...
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... compositions in the Raphael Sketch Book in the Accademia of Venice); in short, the drawings are the very antithesis of ... composition has none of the clumsiness of Verrocchio's; the most insignificant details acquire an incomparable ...
... compositions in the Raphael Sketch Book in the Accademia of Venice); in short, the drawings are the very antithesis of ... composition has none of the clumsiness of Verrocchio's; the most insignificant details acquire an incomparable ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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常見字詞
admiration Adoration Amboise Ambrosiana Andrea Andrea del Verrocchio Annunciation antique artist Battle of Anghiari beauty Biblioteca black chalk Botticelli Bramante cartoon century Child Christ Codex Atlanticus collection colour composition contemporaries copy d’Este disciples draperies drawing Duke equestrian statue famous figures Filippino Florence Florentine Francesco Sforza fresco Galeazzo Galleria degli Uffizi Gallery genius Giovanni Giuliano hand head horse Italian Italy Last Supper Leda Leonardo da Vinci less letter Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Madonna Magi Mantegna manuscripts master masterpiece Medici Melzi Metalpoint Michelangelo Milan Milanese models Mona Lisa Müller-Walde Musée du Louvre Museum nature Oil on wood painter painting Paris Pavia Pen and ink Perugino picture Piero portrait pupils Raffaello Sanzio Raphael red chalk Renaissance Rome Royal Library Saint Anne Salai Santa Maria sculptor shows sketch St Anne Vasari Venice Verrocchio Virgin Windsor Castle wood panel young youth