Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... (Vasari says his uncle), who afterwards presented it to Ottavio de' Medici. No other member of the da Vinci family made his mark in history, with the exception of a nephew of Leonardo, Pierino, an able sculptor, who died in Pisa towards ...
... (Vasari says his uncle), who afterwards presented it to Ottavio de' Medici. No other member of the da Vinci family made his mark in history, with the exception of a nephew of Leonardo, Pierino, an able sculptor, who died in Pisa towards ...
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... Vasari, to whom we owe this eloquent appreciation, concludes with a phrase untranslatable in its power of rendering the majesty of the person described: “Lo splendor dell' aria sua, che bellissimo era, rissereneva ogni animo mesto ...
... Vasari, to whom we owe this eloquent appreciation, concludes with a phrase untranslatable in its power of rendering the majesty of the person described: “Lo splendor dell' aria sua, che bellissimo era, rissereneva ogni animo mesto ...
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... Vasari tells us, had so much charm of manner and conversation that he won all hearts. Though, in a certain sense, he had nothing of his own and worked little, he always found means to keep servants and horses, the latter of which he was ...
... Vasari tells us, had so much charm of manner and conversation that he won all hearts. Though, in a certain sense, he had nothing of his own and worked little, he always found means to keep servants and horses, the latter of which he was ...
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... Vasari's testimony – the child showed an immoderate, at times even extravagant, thirst for knowledge of every description; he would have made extraordinary progress, had it not been for his marked instability of purpose. He threw ...
... Vasari's testimony – the child showed an immoderate, at times even extravagant, thirst for knowledge of every description; he would have made extraordinary progress, had it not been for his marked instability of purpose. He threw ...
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... , Fra Angelico, Piero della Francesca, or even Andrea del Castagno, every painter strove after novelty, originality, “terribilita” – the word by which Vasari designates this tendency – hoping thereby to place himself above criticism.
... , Fra Angelico, Piero della Francesca, or even Andrea del Castagno, every painter strove after novelty, originality, “terribilita” – the word by which Vasari designates this tendency – hoping thereby to place himself above criticism.
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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admiration Adoration Amboise Ambrosiana Andrea Andrea del Verrocchio Annunciation antique artist Battle of Anghiari beauty Biblioteca black chalk Botticelli Bramante cartoon century Child Christ Codex Atlanticus collection colour composition contemporaries copy d’Este disciples draperies drawing Duke equestrian statue famous figures Filippino Florence Florentine Francesco Sforza fresco Galeazzo Galleria degli Uffizi Gallery genius Giovanni Giuliano hand head horse Italian Italy Last Supper Leda Leonardo da Vinci less letter Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Madonna Magi Mantegna manuscripts master masterpiece Medici Melzi Metalpoint Michelangelo Milan Milanese models Mona Lisa Müller-Walde Musée du Louvre Museum nature Oil on wood painter painting Paris Pavia Pen and ink Perugino picture Piero portrait pupils Raffaello Sanzio Raphael red chalk Renaissance Rome Royal Library Saint Anne Salai Santa Maria sculptor shows sketch St Anne Vasari Venice Verrocchio Virgin Windsor Castle wood panel young youth