Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... , has been surely somewhat hasty in connecting these sketches with the order for the helmet of honour presented to the Duke of Urbino by the Florentine Republic after the taking of Volterra (1472). Now, Müller-Walde knows as.
... , has been surely somewhat hasty in connecting these sketches with the order for the helmet of honour presented to the Duke of Urbino by the Florentine Republic after the taking of Volterra (1472). Now, Müller-Walde knows as.
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... Müller-Walde, Leonardo had begun to work for the Medici. Certain studies of costume in the Royal Library at Windsor by him are supposedly connected with the tournament of 1475, of which Giuliano de' Medici was the hero. The youthful ...
... Müller-Walde, Leonardo had begun to work for the Medici. Certain studies of costume in the Royal Library at Windsor by him are supposedly connected with the tournament of 1475, of which Giuliano de' Medici was the hero. The youthful ...
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... Müller-Walde, no other than Dante's Beatrice, and of the same period as Botticelli's compositions. The hypothesis has, in itself, nothing very improbable about it, but, if I am not mistaken, this again is a much later work. Concurrently ...
... Müller-Walde, no other than Dante's Beatrice, and of the same period as Botticelli's compositions. The hypothesis has, in itself, nothing very improbable about it, but, if I am not mistaken, this again is a much later work. Concurrently ...
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... Müller-Walde identifies the picture left unfinished by Leonardo with the Adoration of the Magi in the Uffizi, in which other critics, the present writer among them, see the cartoon designed for the convent of San Donato at Scopeto. The ...
... Müller-Walde identifies the picture left unfinished by Leonardo with the Adoration of the Magi in the Uffizi, in which other critics, the present writer among them, see the cartoon designed for the convent of San Donato at Scopeto. The ...
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... Müller-Walde believes the picture ordered by the monks of San Donato to have been a Christ bearing the Cross. The German author considers a head of Christ in the Accademia at Venice a study for the picture in question. This study, on ...
... Müller-Walde believes the picture ordered by the monks of San Donato to have been a Christ bearing the Cross. The German author considers a head of Christ in the Accademia at Venice a study for the picture in question. This study, on ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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