Leonardo Da Vinci - Artist, Thinker, and Man of ScienceParkstone International, 2018年3月13日 - 387 頁 Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries, who depicted a universal genius, curious and virtuous. Even today, interest in da Vinci and his work does not fade; his works and writings are still studied by foremost experts hoping to decipher one of the numerous secrets of this visionary artist. The archetypal Renaissance man is here explored by the engaging prose of Eugène Müntz who narrates how Leonardo da Vinci mastered a diverse range of fields, from painting to engineering, making him one of the most brilliant minds in human history and one of the most recognised artists in modern times. |
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... Botticelli. It was mannerism in one of its most dangerous forms. But let us hear what Leonardo himself has to say, and how clearly he defines the part played by Giotto and afterwards by Masaccio, whose frescos he no doubt copied, as did ...
... Botticelli. It was mannerism in one of its most dangerous forms. But let us hear what Leonardo himself has to say, and how clearly he defines the part played by Giotto and afterwards by Masaccio, whose frescos he no doubt copied, as did ...
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... Botticelli's are fascinating in their guileless tenderness; Verrocchio's are pensive and melancholy. Even his men – take the St Thomas, for instance – have a plaintive disillusioned smile, the Leonardesque smile. All there is of ...
... Botticelli's are fascinating in their guileless tenderness; Verrocchio's are pensive and melancholy. Even his men – take the St Thomas, for instance – have a plaintive disillusioned smile, the Leonardesque smile. All there is of ...
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... Botticelli. He was one of the few contemporary masters of whom our hero makes mention in his writings, and he adds to the name the significant qualification “il nostro Botticelli.” He invokes Botticelli's testimony, however, only to ...
... Botticelli. He was one of the few contemporary masters of whom our hero makes mention in his writings, and he adds to the name the significant qualification “il nostro Botticelli.” He invokes Botticelli's testimony, however, only to ...
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... itself, a leopard. 43. Lorenzo di Credi after Leonardo da Vinci, The Annunciation, c. 1475-1478. Tempera on wood panel, 16 x 60 cm. Musée du Louvre, Paris. 44. Sandro Botticelli, The Annunciation, c. 1489-1490. Tempera on wood.
... itself, a leopard. 43. Lorenzo di Credi after Leonardo da Vinci, The Annunciation, c. 1475-1478. Tempera on wood panel, 16 x 60 cm. Musée du Louvre, Paris. 44. Sandro Botticelli, The Annunciation, c. 1489-1490. Tempera on wood.
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... Botticelli, by which I mean that it has all the firmness of the former combined with the distinction of the latter. Though making my own reservations as to the dates assigned to these drawings, I note, more especially in the two first ...
... Botticelli, by which I mean that it has all the firmness of the former combined with the distinction of the latter. Though making my own reservations as to the dates assigned to these drawings, I note, more especially in the two first ...
內容
THE VIRGIN OF THE ROCKS AND THE MASTERPIECE | |
LEONARDOS ACADEMY | |
LEONARDOS DEALINGS WITH THE ANTIQUE | |
THE POET THE THINKER AND THE MAN OF SCIENCE | |
HIS RETURN TO MILAN | |
BIOGRAPHY | |
LIST OF ARTISTS | |
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admiration Adoration Amboise Ambrosiana Andrea Andrea del Verrocchio Annunciation antique artist Battle of Anghiari beauty Biblioteca black chalk Botticelli Bramante cartoon century Child Christ Codex Atlanticus collection colour composition contemporaries copy d’Este disciples draperies drawing Duke equestrian statue famous figures Filippino Florence Florentine Francesco Sforza fresco Galeazzo Galleria degli Uffizi Gallery genius Giovanni Giuliano hand head horse Italian Italy Last Supper Leda Leonardo da Vinci less letter Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Madonna Magi Mantegna manuscripts master masterpiece Medici Melzi Metalpoint Michelangelo Milan Milanese models Mona Lisa Müller-Walde Musée du Louvre Museum nature Oil on wood painter painting Paris Pavia Pen and ink Perugino picture Piero portrait pupils Raffaello Sanzio Raphael red chalk Renaissance Rome Royal Library Saint Anne Salai Santa Maria sculptor shows sketch St Anne Vasari Venice Verrocchio Virgin Windsor Castle wood panel young youth