Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 87 筆
第 360 頁
... particular shades , shapes , mottlings , lines , and configurations , it would still be impossible , and for the same reasons , to supply any conditions . We do , indeed , in talking about a work of art , concern ourselves with its ...
... particular shades , shapes , mottlings , lines , and configurations , it would still be impossible , and for the same reasons , to supply any conditions . We do , indeed , in talking about a work of art , concern ourselves with its ...
第 408 頁
... particular work of art , we are not talking about something that has a certain single definitive shape or pattern . Actually any particular work of art includes a consid- erable variety of such patterns which cannot all be appreciated ...
... particular work of art , we are not talking about something that has a certain single definitive shape or pattern . Actually any particular work of art includes a consid- erable variety of such patterns which cannot all be appreciated ...
第 583 頁
... particular features of the particular object , the point is to bring people to see these features , and not simply to lead them to say : " That's good . " There is no point in arguing that the object is good because it possesses these ...
... particular features of the particular object , the point is to bring people to see these features , and not simply to lead them to say : " That's good . " There is no point in arguing that the object is good because it possesses these ...
內容
Introduction | 3 |
BENEDETTO CROCE Art as Intuition | 19 |
CLIVE BELL The Aesthetic Hypothesis | 33 |
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常見字詞
A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry example expression fact false feeling fiction function give hexapod human I. A. Richards ideas imagination imitation imply intellect interpretation intuition intuitive knowledge Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing