Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 40 筆
第 20 頁
... intuitions . But notwithstanding all these concepts the total effect of the work of art is an intuition ; and not- withstanding all those intuitions , the total effect of the philosophical dis- sertation is a concept . The Promessi ...
... intuitions . But notwithstanding all these concepts the total effect of the work of art is an intuition ; and not- withstanding all those intuitions , the total effect of the philosophical dis- sertation is a concept . The Promessi ...
第 21 頁
... intuition . This means that the distinction between reality and non- reality is extraneous , secondary , to the true nature of intuition . If we im- agine a human mind having intuitions for the first time , it would seem . that it could ...
... intuition . This means that the distinction between reality and non- reality is extraneous , secondary , to the true nature of intuition . If we im- agine a human mind having intuitions for the first time , it would seem . that it could ...
第 26 頁
... intuition , noted at the beginning : intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual function ; indifferent to later empirical discriminations , to reality and to unreality , to ...
... intuition , noted at the beginning : intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual function ; indifferent to later empirical discriminations , to reality and to unreality , to ...
內容
Introduction | 3 |
BENEDETTO CROCE Art as Intuition | 19 |
CLIVE BELL The Aesthetic Hypothesis | 33 |
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常見字詞
A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry example expression fact false feeling fiction function give hexapod human I. A. Richards ideas imagination imitation imply intellect interpretation intuition intuitive knowledge Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing