Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 74 筆
第 489 頁
... discussion that it is hard to believe that they introduce an imperative element for the first time ; it is easier to believe that they intensify the imperative element that “ uni- fied , ” introduced at the beginning — an imperative ...
... discussion that it is hard to believe that they introduce an imperative element for the first time ; it is easier to believe that they intensify the imperative element that “ uni- fied , ” introduced at the beginning — an imperative ...
第 587 頁
... discussion was good " ( as ordinarily used ) and " discussion is good " ( but we might use " that discussion was good " to exemplify the general use ) . The difference does not lie in the position of " good , " nor in another and far ...
... discussion was good " ( as ordinarily used ) and " discussion is good " ( but we might use " that discussion was good " to exemplify the general use ) . The difference does not lie in the position of " good , " nor in another and far ...
第 626 頁
... discussion is good " than there is in " That was a good philosophic discussion " ? Does the generality enter in the use of " good , " or is it rather that the second . statement is about a specific philosophic discussion , while the ...
... discussion is good " than there is in " That was a good philosophic discussion " ? Does the generality enter in the use of " good , " or is it rather that the second . statement is about a specific philosophic discussion , while the ...
內容
Introduction | 3 |
BENEDETTO CROCE Art as Intuition | 19 |
CLIVE BELL The Aesthetic Hypothesis | 33 |
著作權所有 | |
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常見字詞
A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry example expression fact false feeling fiction function give hexapod human I. A. Richards ideas imagination imitation imply intellect interpretation intuition intuitive knowledge Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing