Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 頁 |
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第 1 到 3 筆結果,共 45 筆
第 114 頁
... complete understanding of what a work of art as an object of critical and appreciative judgment is . So far we have ... complete circuit of its aspects . With each circuit we then complete one perceptual grasp . But with each circuit he ...
... complete understanding of what a work of art as an object of critical and appreciative judgment is . So far we have ... complete circuit of its aspects . With each circuit we then complete one perceptual grasp . But with each circuit he ...
第 132 頁
... complete skepticism and anarchy and arrive at the vicious maxim of De gustibus non est disputandum . If we should take this view seriously , it would be impossible to explain why one experience of a poem by one reader should be better ...
... complete skepticism and anarchy and arrive at the vicious maxim of De gustibus non est disputandum . If we should take this view seriously , it would be impossible to explain why one experience of a poem by one reader should be better ...
第 229 頁
... complete strangers to what the Germans call Raumgefühl . Their satisfac- tion with relief sculpture derived from this lack . Relief sculpture is , in fact , the typical art of ancient Egypt , and as Worringer has said , " No stranger ...
... complete strangers to what the Germans call Raumgefühl . Their satisfac- tion with relief sculpture derived from this lack . Relief sculpture is , in fact , the typical art of ancient Egypt , and as Worringer has said , " No stranger ...
內容
Introduction | 3 |
BENEDETTO CROCE Art as Intuition | 19 |
CLIVE BELL The Aesthetic Hypothesis | 33 |
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常見字詞
A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry example expression fact false feeling fiction function give hexapod human I. A. Richards ideas imagination imitation imply intellect interpretation intuition intuitive knowledge Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing