PEMB. Then I, (as one that am the tongue of To found the purposes of all their hearts,) To found the purposes-] To declare, to publish the defires of all thofe. JOHNSON. 6 If, what in reft you have, in right you bold, Why then your fears, (which, as they fay, attend The fteps of wrong,) fhould move you to mew up Your tender kinfman, &c.] Perhaps we should read: If, what in wreft you have, in right you hold,———— i. e. if what you possess by an act of seizure or violence, &c. So again, in this play: The imminent decay of wrefted pomp." Wreft is a fubftantive used by Spenser, and by our author in Troilus and Creffida. STEEVENS. The emendation propofed by Mr. Steevens is its own voucher. If then and should change places, and a mark of interrogation be placed after exercife, the full fenfe of the paffage will be reftored. HENLEY. Mr. Steevens's reading of wreft is better than his explanation. If adopted, the meaning muft be-If what you poffefs, or have in your hand, or grafp. RITSON. It is evident that the words should and then, have changed their places. M. MASON. The conftruction is-If you have a good title to what you now quietly poffefs, why then should your fears move you, &c. MALONE. Perhaps this question is elliptically expreffed, and means 66 Why then is it that your fears fhould move you,” &c. STEEVENS. The rich advantage of good exercife?" To K. JOHN. Let it be fo; I do commit his youth Enter HUBERT. your direction.-Hubert, what news with you? PEMB. This is the man fhould do the bloody deed; He fhow'd his warrant to a friend of mine: The image of a wicked heinous fault Lives in his eye; that close aspect of his What we so fear'd he had a charge to do. SAL. The colour of the king doth come and go, Between his purpose and his conscience, 7 good exercife?] In the middle ages the whole education of princes and noble youths confifted in martial exercises, &c. Thefe could not be easily had in a prifon, where mental improvements might have been afforded as well as any where else; but this fort of education never entered into the thoughts of our active, warlike, but illiterate nobility. PERCY. 8 Between his purpofe and his confcience,] Between his consciousRefs of guilt, and his defign to conceal it by fair profeffions. JOHNSON. The purpofe of the King, which Salisbury alludes to, is that of putting Arthur to death, which he confiders as not yet accomplished, and therefore fuppofes that there might still be a conflict in the King's mind, "Between his purpose and his confcience." 9 Like heralds 'twixt two dreadful battles fet: " The foul corruption of a sweet child's death. Good lords, although my will to give is living, SAL. Indeed, we fear'd, his fickness was paft cure. PEMB. Indeed, we heard how near his death he was, Before the child himself felt he was fick : So when Salisbury fees the dead body of Arthur, he fays, "It is the fhameful work of Hubert's hand; "The practife and the purpose of the king." M. MASON. Rather, between the criminal act that he planned and commanded to be executed, and the reproaches of his confcience confequent on the execution of it. So, in Coriolanus: "It is a purpos'd thing, and grows by plot." We have nearly the fame expreffions afterwards:" "Nay, in the body of this fleshly land, [in John's own perfon] "Hoftility, and civil tumult, reigns "Between my confcience and my confin's death." MALONE. 9 Like heralds 'twixt two dreadful battles fet:] But heralds are not planted, I prefume, in the midft betwixt two lines of battle; though they, and trumpets, are often fent over from party to party, to propofe terms, demand a parley, &c. I have therefore ventured to read, fent. THEOBALD. Set is not fixed, but only placed; heralds must be set between battles, in order to be fent between them. JOHNSON. 2 And, when it breaks,] This is but an indelicate metaphor, taken from an impofthumated tumour. JOHNSON, Think you, I bear the shears of destiny? PEMB. Stay yet, lord Salisbury; I'll go with And find the inheritance of this poor child, That blood, which ow'd the breadth of all this ifle, [Exeunt Lords. K. JOHN. They burn in indignation; I repent; There is no fure foundation fet on blood; No certain life achiev'd by others' death. Enter a Meffenger. A fearful eye thou haft; Where is that blood, So foul a fky clears not without a storm: Pour down thy weather:-How goes all in France? MESS. From France to England.3-Never such a power For any foreign preparation, Was levied in the body of a land! The copy of your fpeed is learn'd by them; 3 From France to England.] The king afks how all goes in France, the meffenger catches the word goes, and anfwers, that whatever is in France goes now into England. JOHNSON. K. JOHN. O, where hath our intelligence been drunk? Where hath it flept? Where is my mother's care? That fuch an army could be drawn in France, MESS. My liege, her ear Is stopp'd with duft; the first of April, died Three days before: but this from rumour's tongue K. JOHN. Withhold thy fpeed, dreadful occafion! O, make a league with me, till I have pleas'd 40, where hath our intelligence been drunk ? Where hath it flept?] So, in Macbeth: 66 Was the hope drunk "Wherein you dreft yourself? hath it fept fince?" STEEVENS. 5 How wildly then walks my eftate in France!] So, in one of the Pafton Letters, Vol. III. p. 99: "The country of Norfolk and Suffolk stand right wildly." STEEVENS. move. i. e. How ill my affairs go in France!-The verb, to walk, is ufed with great licenfe by old writers. It often means to go; to So, in the Continuation of Harding's Chronicle, 1543: "Evil words walke far." Again, in Fenner's Compter's Commonwealth, 1618: "The keeper, admiring he could not hear his prifoner's tongue walk all this while," &c. MALONE. |