Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, 2015年8月12日 - 264 頁 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
內容
Marlowe andor Shakespeare | 1 |
The Economy of Theatrical Experience | 7 |
The Webs of Plays | 65 |
A Poetics of Demystification | 119 |
Corrupt Texts | 159 |
Notes | 205 |
| 225 | |
| 235 | |
其他版本 - 查看全部
常見字詞
Alcibiades Apemantus aspiring attempt audi audience engagement audience response audience's Banquo's ghost Barabas Barabas's behavior believe capacity character claim contemporary contends context critical cultural defenses demystify dience discourse Doctor Faustus dramatic Edward Edward II effects Elizabethan playgoers embodiment ence fantasy fantasy fulfillment feel Ferneze Gaveston Gosson Greenblatt Henry Henry's identify ideology imaginary imaginative interpretive community Jack Straw Jew of Malta John of Leyden king King Lear Lear Leontes's Lord Macbeth Machiavel Machiavellian manner Marlowe and Shakespeare Marlowe's masterless mind moral murder Nashe normative observes onstage opposed orthodox perspective play's playgoing playhouse playtexts playwright pleasure political position potential privileged provides provocative psychic disposition psychological radical reading regarding resistance Richard Richard III role scene seems set speech Shakespeare social speak specific spectator stage status structure subversive suggests Tamburlaine phenomenon Tamburlaine plays theater theatrical appeal theatrical experience thou Timon Timon of Athens tion transgressive Troilus Ulysses vicariously