61 For he hath wit to make an ill shape good, Ros. Another of these students at that time 70 Ros. Not till it leave the rider in the mire. Ros. The hour that fools should ask. mate 131 The payment of a hundred thousand crowns; which, 140 One part of Aquitaine is bound to us, Dear princess, were not his requests so far 150 From reason's yielding, your fair self should make A yielding 'gainst some reason in my breast And go well satisfied to France again. Prin. You do the king my father too much wrong 170 All liberal reason I will yield unto. To-morrow shall we visit you again. Prin. Sweet health and fair desires consort your grace! King Thy own wish wish I thee in every place! [Erit. Biron. Lady, I will commend you to mine, own heart. 180' She is an heir of Falconbridge. Long. Nay, my choler is ended. She is a most sweet lady. Not a word with him but a jest. Boyet. I was as willing to grapple as he was to board. Mar. Two hot sheeps, marry. And wherefore not ships? No sheep, sweet lamb, unless we feed on your 220 lips. Mar. You sheep, and I pasture: shall that finish the jest? Boyet. So you grant pasture for me. Mar [Offering to kiss her. Not so, gentle beast: My lips are no common, though several they be. Boyet. Belonging to whom? Mar. To my fortunes and me. Prin Good wits will be jangling; but, gentles, agree : This civil war of wits were much better used On Navarre and his book-men; for here 'tis abused. Boyet. If my observation, which very seldom lies, By the heart's still rhetoric disclosed with eyes, Deceive me not now, Navarre is infected. 230 Prin. With what? Boyet. With that which we lovers entitle affected. Prin. Your reason? Boget. Why, all his behaviors did make their retire sense of Moth. ACT III. SCENE I. The same. Enter ARMADO and MOTH. Warble, child; make passionate my hearing. Concolinel. [Singing. Arin. Sweet air! Go, tenderness of years; take this key, give enlargement to the swain, bring him festinately hither: I must employ him in a letter to my love. Moth. Master, will you win your love with a French brawl? Arm. How meanest thou? brawling in Moth. No, my complete master but to fig off a tune at the tongue's end, canary to it with your feet, humor it with turning up your erelids, sigh a note and sing a note, sometime through the throat, as if you swallowed love with singing love, sometime through the nose, as if you snuffed up love by smelling love; with your hat penthouse-like o'er the shop of your eyes with your arms crossed on your thin-belly doublet like a rabbit on a spit; or your hands in your pocket like a man after the old painting; and keep not too long in one time, but a snip and away. These are complements, these are humors; these betray nice wenches, that would be betrayed without these; and make them men of note-do you note me ?-that most are affected to these. Arm. How hast thou purchased this experience ? Moth. By my penny of observation. Moth Arm. The hobby-horse is forgot.' 30 Callest thou my love 'hobby-horse' ? Moth. No, master; the hobby-horse is but Moth. A man, if I live; and this, by, in, and without, upon the instant: by heart you love her, because your heart cannot come by her; in heart you love her, because your heart is in love with her; and out of heart you love her, being out of heart that you cannot enjoy her. Arm. I am all these three. Moth. And three times as much more, and yet nothing at all. 50 Arm. Fetch hither the swain: he must carry me a letter. Moth. A message well sympathized; a horse to be ambassador for an ass. Arm. Ha, ha! what sayest thou? Moth. Marry, sir, you must send the ass upon the horse, for he is very slow-gaited. But I go. Arm. The way is but short Arm. away! The meaning, pretty ingenious? Is not lead a metal heavy, dull, and slow ? 60 Moth. Minimè, honest master; or rather, Arm. The fox, the ape, the humble-bee, 90 Were still at odds, being but three. Moth. Until the goose came out of door, And stay'd the odds by adding four. Now will I begin your moral, and do you follow with my l'envoy. The fox, the ape, and the humble-bee, Were still at odds, being but three. Arm. Until the goose came out of door, Staying the odds by adding four. 100 Moth. A good l'envoy, ending in the goose: would you desire more? Cost. The boy hath sold him a bargain, a goose, that's flat. Sir, your pennyworth is good, an your goose be fat. To sell a bargain well is as cunning as fast and loose: Let me see; a fat l'envoy; ay, that's a fat goose. Arm. Come hither, come hither. How did this argument begin? Moth. By saying that a costard was broken in a shin. Then call'd you for the l'envoy. Cost. True, and I for a plantain: thus came your argument in; Then the boy's fat l'envoy, the goose that you bought; And he ended the market. 110 Arm. But tell me how was there a costard broken in a shin? Moth. I will tell you sensibly. Cost. Thou hast no feeling of it, Moth: I will speak that l'envoy: I Costard, running out, that was safely within, Fell over the threshold and broke my shin. Arm. We will talk no more of this matter. Cost. Till there be more matter in the shin. Arm. Sirrah Costard, I will enfranchise thee. Cost. O, marry me to one Frances: I smell some l'envoy, some goose, in this. Arm. By my sweet soul, I mean setting thee at liberty, enfreedoming thy person; thou wert immured, restrained, captivated, bound. Cost. True, true; and now you will be my purgation and let me loose. Arm. I give thee thy liberty, set thee from durance; and, in lieu thereof, impose on thee nothing but this: bear this significant [giring a letter] to the country maid Jaquenetta, there is remuneration; for the best ward of mine honor is rewarding my dependents. Moth, Exit Follow. th. Like the sequel, I. Signior Costard, adieu Cost. My sweet ounce of man's fiesh! my incony Jew! [Exit Moth Now will I look to his rem mneration. Remuneration! O, that's the Latin word for three farthings: three farthings-remuneration.— 'What's the price of this inkle ?'-' One penny. No, I'll give you a remuneration: why, it carries it. Remuneration! why, it is a fairer name than French crown. I will never buy and sell out of this word, Enter BIRON. Biron. O, my good knave Costard! exceed ingly well met. Cost. Pray you, sir, how much carnation ribbon may a man buy for a remuneration ? Biron. What is a remuneration ? Cost. Marry, sir, halfpenny farthing. Biron. Why, then, three-farthing worth of silk. 150 Cost. I thank your worship: God be wi you! Biron. Stay, slave: I must employ thee: As thou wilt win my favor, good my knave, Do one thing for me that I shall entreat. Cost. When would you have it done, sir? Biron. This afternoon. Cost. Well, I will do it, sir: fare you well. 161 Baron. It must be done this afternoon. Hark, slave, it is but this : The princess comes to hunt here in the park, And Rosaline they call her ask for her: [Exit. Still a-repairing, ever out of frame, Well, I will love, write, sigh, pray, sue and groan: Some men must love my lady and some Joan. ACT IV. SCENE I. The same. [Exit. Enter the Princess, and her train, a Forester, BOYET, ROSALINE, MARIA, and KATHARINE. Prin. Was that the king, that spurred his horse so hard Against the steep uprising of the hill? Boyet. I know not, but I think it was not he. Prin. Whoe'er a' was, a' show'd a mount ing mind. Well, lords, to-day we shall have our dispatch: A stand where you may make the fairest shoot. Prin. I thank my beauty, I am fair that shoot, 11 And thereupon thou speak'st the fairest shoot. O short-lived pride! Not fair? alack for woe! 20 Prin. See, see, my beauty will be saved by merit ! O heresy in fair, fit for these days! But come, the bow: now mercy goes to kill, kill. And out of question so it is sometimes, Glory grows guilty of detested crimes, 30 Boyet [reads]. 'By heaven, that thou art fair, is most infallible; true, that thou art beauteous; truth itself, that thou art lovely. More fairer than fair, beautiful than beauteous, truer than truth itself, have commiseration on thy heroical vassal! The magnanimous and most illustrate king Cophetua set eye upon the pernicious and indubitate beggar Zenelophon; and he it was that might rightly say, Veni, vidi, vici; which to annothanize in the vulgar, -O base and obscure vulgar !-videlicet, He came, saw, and overcame: he came, one; saw two; overcame, three. Who came? the king: why did he come? to see: why did he see ? to overcome: to whom came he? to the beggar what saw he ? the beggar: who overcame he? the beggar. The conclusion is victory on whose side? the king's. The captive is enriched on whose side? the beggar's. |