Dred: A Tale of the Great Dismal Swamp, 第 1 卷

封面
Phillips, Sampson, 1856
Written partly in response to the criticisms of "Uncle Tom's Cabin" by both white Southerners and black abolitionists, Stowe's second novel, "Dred," attempts to explore the issue of slavery from an African American perspective. Through the compelling stories of Nina Gordon, the mistress of a slave plantation, and Dred, a black revolutionary, Stowe brings to life conflicting beliefs about race, the institution of slavery, and the possibilities of violent resistance.
 

已選取的頁面

內容

其他版本 - 查看全部

常見字詞

熱門章節

第 221 頁 - He that spared not his own Son, but delivered him up for us all, how shall he not with him freely give us all things ? Who shall lay anything to the charge of God's elect ? It is God that justifieth.
第 291 頁 - Doubtless thou art our father, though Abraham be ignorant of us, and Israel acknowledge us not: thou, O LORD, art our father, our redeemer ; thy name is from everlasting.
第 1 頁 - I'll hide the maid in a cypress tree, "When the footstep of death is near." Away to the Dismal Swamp he speeds— His path was rugged and sore, Through tangled juniper, beds of reeds, Through many a fen, where the serpent feeds, And man never trod before.
第 299 頁 - ... perils of waters, in perils of robbers, in perils by mine own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren ; in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Besides those things that are without, that which cometh upon me daily, the care of all the churches.
第 323 頁 - Mine is an unchanging love, Higher than the heights above, Deeper than the depths beneath, Free and faithful, strong as death. 'Thou shalt see My glory soon, When the work of grace is done ; Partner of My throne shalt be ; Say. poor sinner, lov'st thou Me...
第 220 頁 - Oh that I knew where I might find him ! That I might come even to his seat ! I would order my cause before him, And fill my mouth with arguments.
第 323 頁 - T is thy Saviour — hear his word ; Jesus speaks, and speaks to thee, " Say, poor sinner, lovest thou me ? 2 " I delivered thee when bound, And when bleeding, healed thy wound: Sought thee wandering, set thee right, Turned thy darkness into light. 3 " Can a woman's tender care Cease...
第 292 頁 - Our bones are scattered at the grave's mouth, as when one cutteth and cleaveth wood upon the earth.
第 313 頁 - The heavens declare the glory of God, and the firmament showeth his handywork. Day unto day uttereth speech, and night unto night showeth knowledge.
第 291 頁 - How long shall they utter and speak hard things ? and all the workers of iniquity boast themselves ? 5 They break in pieces thy people, O LORD, and afflict thine heritage.

關於作者 (1856)

Harriet Beecher was born in Litchfield, Connecticut, one of nine children of the distinguished Congregational minister and stern Calvinist, Lyman Beecher. Of her six brothers, five became ministers, one of whom, Henry Ward Beecher, was considered the finest pulpit orator of his day. In 1832 Harriet Beecher went with her family to Cincinnati, Ohio. There she taught in her sister's school and began publishing sketches and stories. In 1836 she married the Reverend Calvin E. Stowe, one of her father's assistants at the Lane Theological Seminary and a strong antislavery advocate. They lived in Cincinnati for 18 years, and six of her children were born there. The Stowes moved to Brunswick, Maine, in 1850, when Calvin Stowe became a professor at Bowdoin College. Long active in abolition causes and knowledgeable about the atrocities of slavery both from her reading and her years in Cincinnati, with its close proximity to the South, Stowe was finally impelled to take action with the passage of the Fugitive Slave Act in 1850. By her own account, the idea of Uncle Tom's Cabin (1852) first came to her in a vision while she was sitting in church. Returning home, she sat down and wrote out the scene describing the death of Uncle Tom and was so inspired that she continued to write on scraps of grocer's brown paper after her own supply of writing paper gave out. She then wrote the book's earlier chapters. Serialized first in the National Era (1851--52), an important abolitionist journal with national circulation, Uncle Tom's Cabin was published in book form in March 1852. It was an immediate international bestseller; 10,000 copies were sold in less than a week, 300,000 within a year, and 3 million before the start of the Civil War. Family legend tells of President Abraham Lincoln (see Vol. 3) saying to Stowe when he met her in 1862: "So this is the little lady who made this big war?" Whether he did say it or not, we will never know, since Stowe left no written record of her interview with the president. But he would have been justified in saying it. Certainly, no other single book, apart from the Bible, has ever had any greater social impact on the United States, and for many years its enormous historical interest prevented many from seeing the book's genuine, if not always consistent, literary merit. The fame of the novel has also unfortunately overshadowed the fiction that Stowe wrote about her native New England: The Minister's Wooing (1859), Oldtown Folks (1869), Poganuc People (1878), and The Pearl of Orr's Island (1862), the novel that, according to Sarah Orne Jewett, began the local-color movement in New England. Here Stowe was writing about the world and its people closest and dearest to her, recording their customs, their legends, and their speech. As she said of one of these novels, "It is more to me than a story. It is my resume of the whole spirit and body of New England."