The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyThe Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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內容
The Mayor of Casterbridge | 51 |
Una Selva Oscura | 107 |
Shelleys Modern Prometheus Once More | 223 |
Notes | 289 |
Bibliography | 309 |
About the Author | 319 |
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aesthetic Alastor Alec allegory Angel appears Arnold's authority beauty becomes begins Book Carlyle's cast Casterbridge character Christminster claims constitutes critical culture dead death defined describes desire difference dream effect fable failure faith fancy fate father figure final Fitzpiers Giles Grace Hardy Hardy's heart Henchard Hintocks idealism imagination inspiration interest Jude Jude's Keats Keats's letters literary live lost lyrical marriage Mayor mechanical metaphor mind Moreover narrative narrator nature never novel once original past Pater's poet poetic poetry position possibilities Preface Prelude present Press pure quest reading recall redemption remain represents romantic romanticism scene seeks sense Shelley Shelley's Shelleyan social society South's spirit sublime suggests tells Tess Tess's texts textual things tion tradition tragic tree truth turn understanding University vision Wessex Woodlanders woods Wordsworth's Wordsworthian writing