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書籍 書目1 - 10,共 180 頁;搜尋條件:The author continued for about three hours in a profound sleep, at least of the external...
" The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines ; . if that indeed can be called... "
On Obscure Diseases of the Brain, and Disorders of the Mind: Their Incipient ... - 第 48 頁
Forbes Winslow 著 - 1860 - 576 頁
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Christabel: Kubla Khan : a Vision ; The Pains of Sleep

Samuel Taylor Coleridge - 1816 - 64 頁
...from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking...
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The Literary Panorama and National Register

1816
...of poetry — " if that indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production...expressions, without any sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained...
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The Augustan review

1816
...two to three hundred lines; if that, indeed, can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to...
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The Poetical Works of S.T. Coleridge: Including the Dramas of Wallenstein ...

Samuel Taylor Coleridge - 1828
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking...
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The poetical works of S.T. Coleridge, including the dramas of ..., 第 1 卷

Samuel Taylor [poetical works] Coleridge - 1829
...lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking be appeared to himself to have a distinct recollection of the whole, and taking...
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The Westminster Review, 第 12 卷

1829
...composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of...
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The Philosophy of Sleep

Robert Macnish - 1834 - 336 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole: and, taking...
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The Philosophy of Sleep

Robert Macnish - 1834 - 296 頁
...from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole : and taking...
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The Poetical Works of S. T. Coleridge, 第 1 卷

Samuel Taylor Coleridge - 1835
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any se%sation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection...
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Penny Cyclopaedia of the Society for the Diffusion of Useful Knowledge, 第 9-10 卷

1837
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort." Ou awaking he instantly sat down to commit his poem to paper. After having written so many...
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