Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 84 筆
第 51 頁
... woman ; never was forsworn ; Scarcely have coveted what was mine own ; At no time broke my faith : would not betray ... woman , he was often also guilty of disguising that woman as a man . Viola's melancholy reflection when she sees ...
... woman ; never was forsworn ; Scarcely have coveted what was mine own ; At no time broke my faith : would not betray ... woman , he was often also guilty of disguising that woman as a man . Viola's melancholy reflection when she sees ...
第 52 頁
... woman acting a boy . Shakespeare draws attention to the boy actor only to confirm his woman's nature . Bianca in The Taming of the Shrew petulantly brushes aside her importunate tutor : I am no breeching scholar in the schools . I'll ...
... woman acting a boy . Shakespeare draws attention to the boy actor only to confirm his woman's nature . Bianca in The Taming of the Shrew petulantly brushes aside her importunate tutor : I am no breeching scholar in the schools . I'll ...
第 53 頁
... woman's part , And I was trimm'd in Madam Julia's gown , Which served me as fit , by all men's judgments , As if the garment had been made for me ; Therefore I know she is about my height . And at that time I made her weep agood , For I ...
... woman's part , And I was trimm'd in Madam Julia's gown , Which served me as fit , by all men's judgments , As if the garment had been made for me ; Therefore I know she is about my height . And at that time I made her weep agood , For I ...
常見字詞
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young