Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 70 筆
第 17 頁
... tragedy . The choices of other women in the tragedies are much more problematic . Gertrude , Ophelia , Cleopatra , and Cressida make choices whose outcome is much less predictable and may be much less acceptable to us . In Troilus and ...
... tragedy . The choices of other women in the tragedies are much more problematic . Gertrude , Ophelia , Cleopatra , and Cressida make choices whose outcome is much less predictable and may be much less acceptable to us . In Troilus and ...
第 87 頁
... tragedy with affinities to the romances . Numerous critics have found the play a mixture of comedy and tragedy , beginning with Rich- ard Brathwait : " Love's interview betwixt Cleopatra and Mark Antony , promised to itself as much ...
... tragedy with affinities to the romances . Numerous critics have found the play a mixture of comedy and tragedy , beginning with Rich- ard Brathwait : " Love's interview betwixt Cleopatra and Mark Antony , promised to itself as much ...
第 341 頁
... tragedy has never been able to acknowledge the fundamental similarity , even identity , of tragic antagonists ; it fab- ricates differences where there are none . Mimetic ri- valry alone goes to the heart of the question . When ...
... tragedy has never been able to acknowledge the fundamental similarity , even identity , of tragic antagonists ; it fab- ricates differences where there are none . Mimetic ri- valry alone goes to the heart of the question . When ...
常見字詞
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young