Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 卷Gale Research Company, 1984 |
搜尋書籍內容
第 1 到 3 筆結果,共 89 筆
第 1 頁
... gender in Shakespeare's dramas have inspired critical interest for centuries , but in the late twentieth century gender has become of tantamount ... Gender Identity Gender Identity Introduction Overviews: Gender in Shakespeare's Plays.
... gender in Shakespeare's dramas have inspired critical interest for centuries , but in the late twentieth century gender has become of tantamount ... Gender Identity Gender Identity Introduction Overviews: Gender in Shakespeare's Plays.
第 10 頁
... gender and gender crossing . But to see the full dimensions of this change we must look also at female characters who disguise themselves as men , at descriptions of charac- ters ' behavior as appropriate either to their own gender or ...
... gender and gender crossing . But to see the full dimensions of this change we must look also at female characters who disguise themselves as men , at descriptions of charac- ters ' behavior as appropriate either to their own gender or ...
第 278 頁
... gender binaries appears . The hierarchy preserved in the one - sex model had also applied in questions of grammatical agree- ment : male gender prevailed over female because it was the ' more worthy ' gender . In his popular rhetoric ...
... gender binaries appears . The hierarchy preserved in the one - sex model had also applied in questions of grammatical agree- ment : male gender prevailed over female because it was the ' more worthy ' gender . In his popular rhetoric ...
常見字詞
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young