Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 46 筆
第 186 頁
... flesh plot . Those watching or reading The Merchant of Venice are often curious about what part of Antonio's body Shy- lock has in mind when they learn of Shylock's desire to exact " an equal pound " of Antonio's " fair flesh , to be ...
... flesh plot . Those watching or reading The Merchant of Venice are often curious about what part of Antonio's body Shy- lock has in mind when they learn of Shylock's desire to exact " an equal pound " of Antonio's " fair flesh , to be ...
第 187 頁
... flesh it is a lie . " Secchi replied , " If you like it , I'll lay you a thousand crowns against a pound of your flesh , that it's true . " The Jew accepted the wager , and articles were immediately executed betwixt them , the substance ...
... flesh it is a lie . " Secchi replied , " If you like it , I'll lay you a thousand crowns against a pound of your flesh , that it's true . " The Jew accepted the wager , and articles were immediately executed betwixt them , the substance ...
第 189 頁
... flesh by the circumcision of the heart . Elizabethan commenta- tors were well aware that Paul's metaphorical treat- ment of circumcision builds upon a preexisting tradi- tion in the Old Testament , expressed particularly in Deuteronomy ...
... flesh by the circumcision of the heart . Elizabethan commenta- tors were well aware that Paul's metaphorical treat- ment of circumcision builds upon a preexisting tradi- tion in the Old Testament , expressed particularly in Deuteronomy ...
常見字詞
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young