Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 81 筆
第 15 頁
... feel in these heroines is in an Other quite apart from her relation- ship to the desires of the Self - which is to say , apart from the fact of masculine unfulfillment . In comedy we are always sure of getting what we want , so mas ...
... feel in these heroines is in an Other quite apart from her relation- ship to the desires of the Self - which is to say , apart from the fact of masculine unfulfillment . In comedy we are always sure of getting what we want , so mas ...
第 113 頁
... feel its spell directly . Unlike the other suitors , Bassanio does not ponder each casket in turn , but his speech suggests that he is drawn without foreseeing it to his conclusion at the leaden casket . His gravity and intentness of ...
... feel its spell directly . Unlike the other suitors , Bassanio does not ponder each casket in turn , but his speech suggests that he is drawn without foreseeing it to his conclusion at the leaden casket . His gravity and intentness of ...
第 365 頁
... feel discomfort throughout the play , moving forward as they do under a burden of ignorance about all the issues involved in the developing situation , but this feeling becomes a certainty when , at the climax , they reach the passage ...
... feel discomfort throughout the play , moving forward as they do under a burden of ignorance about all the issues involved in the developing situation , but this feeling becomes a certainty when , at the climax , they reach the passage ...
常見字詞
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young