Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 69 筆
第 43 頁
... fear of en- gulfment or absorption by them ; he who follows such desire in order to become a man becomes , in effect , a slave . The crown itself does not spur Macbeth and his wife on , nor the " greatness " broadly associated with it ...
... fear of en- gulfment or absorption by them ; he who follows such desire in order to become a man becomes , in effect , a slave . The crown itself does not spur Macbeth and his wife on , nor the " greatness " broadly associated with it ...
第 44 頁
... fear him he does - out of envy . Banquo combines " wisdom " with valor as Macbeth has not , and acts in the " safety " that Macbeth has exchanged for fear ; he is Macbeth's ideal self image , the man of conscience as well as courage ...
... fear him he does - out of envy . Banquo combines " wisdom " with valor as Macbeth has not , and acts in the " safety " that Macbeth has exchanged for fear ; he is Macbeth's ideal self image , the man of conscience as well as courage ...
第 47 頁
... fears and envies in Macduff , as his repeated invocation of the Second Apparition's motto indicates , being intended to charm that fear away . When these mighty opposites finally meet , Macbeth first confesses his fear ( " Of all men ...
... fears and envies in Macduff , as his repeated invocation of the Second Apparition's motto indicates , being intended to charm that fear away . When these mighty opposites finally meet , Macbeth first confesses his fear ( " Of all men ...
常見字詞
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young