Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 89 筆
第 20 頁
... comic hero ; and yet Benedick's freedom from choice is heavily qualified . There are two sides to Benedick . On the one hand he is an individual male ; on the other hand he is the male half of a couple . The couple is analogous to a comic ...
... comic hero ; and yet Benedick's freedom from choice is heavily qualified . There are two sides to Benedick . On the one hand he is an individual male ; on the other hand he is the male half of a couple . The couple is analogous to a comic ...
第 24 頁
... comic types - braggart , friend , priest , gull - the comic heroine is generic as well as individual . She is the marriageable type , young , pretty , and available . For all her self - awareness she can always be absorbed back into the ...
... comic types - braggart , friend , priest , gull - the comic heroine is generic as well as individual . She is the marriageable type , young , pretty , and available . For all her self - awareness she can always be absorbed back into the ...
第 26 頁
... comic presence . Olivia explicitly claims both sense of humor and the love - ethic as her own . When Malvolio protests against the liberty of the fool , she says irritably , O , you are sick of self - love , Malvolio , and taste with a ...
... comic presence . Olivia explicitly claims both sense of humor and the love - ethic as her own . When Malvolio protests against the liberty of the fool , she says irritably , O , you are sick of self - love , Malvolio , and taste with a ...
常見字詞
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young