Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 卷Gale Research Company, 1984 |
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第 1 到 3 筆結果,共 40 筆
第 76 頁
... Cleopatra , a play which , like Egypt's crocodile , is shaped only like " itself . " Antony at first evades full commitment to Cleopatra by playing the romantic lover , and she responds by playing the mocking , realistic beloved ; both ...
... Cleopatra , a play which , like Egypt's crocodile , is shaped only like " itself . " Antony at first evades full commitment to Cleopatra by playing the romantic lover , and she responds by playing the mocking , realistic beloved ; both ...
第 83 頁
... Cleopatra and his acknowledgment of her power . His invocation to Cleopatra's planet , the moon- " O sovereign mistress . of true melancholy , The poisonous damp of night disponge upon me " ( IV.ix. 12-13 ) -recalls the " dis- candying ...
... Cleopatra and his acknowledgment of her power . His invocation to Cleopatra's planet , the moon- " O sovereign mistress . of true melancholy , The poisonous damp of night disponge upon me " ( IV.ix. 12-13 ) -recalls the " dis- candying ...
第 84 頁
... Cleopatra could become herself , but with Caesar she can only play false . Act- ing for Caesar , in the absence of Antony , Cleopatra becomes more elusive than formerly . ( Similarly , An- tony's motives are most opaque when he is apart ...
... Cleopatra could become herself , but with Caesar she can only play false . Act- ing for Caesar , in the absence of Antony , Cleopatra becomes more elusive than formerly . ( Similarly , An- tony's motives are most opaque when he is apart ...
常見字詞
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young