Visions: A Study of False Sight (pseudopia)Houghton, Osgood and Company, 1880 - 311 頁 |
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activity alcohol angular gyri animals appear association auditory automatic action blood brain called cause cell-groups cells centric cere cerebral cerebral hemispheres cerebrum character condition connection consciousness coördinated death delirium delirium tremens disease distinct disturbance dreamer dreams emotion essay excited experience explanation fact Ferrier fibres force frog frontal lobes functions ganglia ganglionic gyrus habit hemispheres human ideas ideational illustrates influence intellectual intracranial irritation less light Lord Brougham machinery manifestations mechanism memory ment mental mind motion motor movements muscular nerve centres nervous system occur opium optic nerve optic thalami optic tubercles organic orthopia pain perception persons phenomena physiological picture present process of vision produced pseudopia recognized reflex action result retina revival scene sensation sense sensory sight sion sleep sometimes sort sound spinal stimulus strange strychnia subjective vision tion tubercula quadrigemina visual apparatus visual centres visual impressions visual perception volition Wundt
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第 231 頁 - I seemed every night to descend, not metaphorically; but literally to descend, into chasms and sunless abysses, depths below depths, from which it seemed hopeless that I could ever re-ascend.
第 231 頁 - That, as the creative state of the eye increased, a sympathy seemed to arise between the waking and the dreaming states of the brain in one point — that whatsoever I happened to call up and to trace by a voluntary act upon the darkness was very apt to transfer itself to my dreams...
第 256 頁 - Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain?
第 181 頁 - The sense of space, and in the end the sense of time, were both powerfully affected. Buildings, landscapes, etc., were exhibited in proportions so vast as the bodily eye is not fitted to receive. Space swelled, and was amplified to an extent of unutterable and self-repeating infinity.
第 137 頁 - In the church of St. Peter at Cologne the altar-piece is a large and valuable picture by Rubens, representing the martyrdom of the apostle. This picture having been carried away by the French in 1805, to .the great regret of the inhabitants, a painter of that .city undertook to make a copy of it from recollection ; and succeeded in doing so in such a manner, that the most delicate tints of the original are preserved with the most minute accuracy. The original painting has now been restored, but the...
第 242 頁 - ... peculiarities of dress and posture of the illustrious poet. Sensible, however, of the delusion, he felt no sentiment save that of wonder at the extraordinary accuracy of the resemblance, and stepped onwards towards the figure, which resolved itself, as he approached, into the various materials of which it was composed.
第 33 頁 - She saw nothing, but being much alarmed, endeavored to compose me, and sent for the physician. The figure remained some seven or eight minutes, and at length I became a little more calm...
第 122 頁 - Actions, sensations, and states of feeling, occurring together or in close succession, tend to grow together or cohere in such a way that when any one of them is afterwards presented to the mind, the others are apt to be brought up in idea.
第 308 頁 - How I got out of the bath I know not, but on recovering my senses I found myself sprawling on the floor.
第 37 頁 - This was performed on the 20th of April, at eleven o'clock in the forenoon. I was alone with the surgeon, but during the operation the room swarmed with human forms of every description, which crowded fast one on another; this continued till half past four o'clock, exactly the time when the digestion commences.