The Literature and the Literary Men of Great Britain and Ireland, 第 2 卷Harper & brothers, 1851 |
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第 17 頁
... style , is allowed to the prose writers , and that due to a felicity in painting artificial life , is awarded to the poets ; but modern critics seem to have agreed to pass over these qualities as of secondary moment , and to hold in ...
... style , is allowed to the prose writers , and that due to a felicity in painting artificial life , is awarded to the poets ; but modern critics seem to have agreed to pass over these qualities as of secondary moment , and to hold in ...
第 19 頁
... style from the general language , such as a diligent perusal of the productions of different ages would naturally produce . His three principal pieces are , The Battle of the Pigmies and Cranes , The Barometer , and A Bowling - green ...
... style from the general language , such as a diligent perusal of the productions of different ages would naturally produce . His three principal pieces are , The Battle of the Pigmies and Cranes , The Barometer , and A Bowling - green ...
第 26 頁
... style is natural and unaffected , easy and polite , and full of those graces pe- culiar to a vivid and flowing imagination . In thought and sentiment he is always pure , and his figures are almost uniformly delicate , accurate , and ...
... style is natural and unaffected , easy and polite , and full of those graces pe- culiar to a vivid and flowing imagination . In thought and sentiment he is always pure , and his figures are almost uniformly delicate , accurate , and ...
第 31 頁
... style of Milton , has the merit of original design , but little more can be said in its praise ; and to assert that ' Blenheim ' is not below mediocrity , is as much as can be said in its favor . To the poem on ' Cider , ' may be given ...
... style of Milton , has the merit of original design , but little more can be said in its praise ; and to assert that ' Blenheim ' is not below mediocrity , is as much as can be said in its favor . To the poem on ' Cider , ' may be given ...
第 33 頁
... style must always afford pleasure . His Night Piece on Death was indirectly preferred by Goldsmith to Gray's celebrated Elegy ; but few persons of taste will be inclined to adopt such an opinion . In the ' Night Piece ' the poet goes ...
... style must always afford pleasure . His Night Piece on Death was indirectly preferred by Goldsmith to Gray's celebrated Elegy ; but few persons of taste will be inclined to adopt such an opinion . In the ' Night Piece ' the poet goes ...
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Addison admiration afterwards appeared attention beauty became Bishop Bishop Burnet born busk character charms Christ Church College Christian church College comedy death occurred degree delight devoted died divine doctor of divinity drama Duke earth eminent England English entered eyes father genius give grace Grongar Hill happy hath hear heart heaven holy honour Isaac Newton king Lady language learning literary live London Lord master's degree Middle Temple mind moral muse nature never night o'er Oliver Cromwell Oroonoko Oxford passed passion philosophy pleasure poem poet poetical poetry Pope praise produced published reason received religion remarks retired says scene Scotland soon soul spirit studies style sweet taste Tatler thee things thou thought tion Trinity College truth virtue Westminster Abbey Westminster school William writing wrote youth
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第 340 頁 - With uncouth rhymes and shapeless sculpture decked, Implores the passing tribute of a sigh. Their name, their years, spelt by th' unlettered muse, The place of fame and elegy supply: And many a holy text around she strews, That teach the rustic moralist to die.
第 24 頁 - I'm weary of conjectures — This must end them. (Laying his hand upon his sword. Thus am I doubly armed : my death and life, My bane and antidote, are both before me : This in a moment brings me to an end, But this informs me I shall never die.
第 339 頁 - Await alike the inevitable hour. The paths of glory lead but to the grave. Nor you, ye proud, impute to these the fault, If memory o'er their tomb no trophies raise, Where through the long-drawn aisle and fretted vault The pealing anthem swells the note of praise.
第 381 頁 - Whose beard descending swept his aged breast; The ruined spendthrift, now no longer proud, Claimed kindred there, and had his claims allowed; The broken soldier, kindly bade to stay, Sat by his fire, and talked the night away, Wept o'er his wounds, or tales of sorrow done, Shouldered his crutch and showed how fields were won.
第 382 頁 - At church with meek and unaffected grace, His looks adorned the venerable place; Truth from his lips prevailed with double sway, And fools, who came to scoff, remained to pray.
第 339 頁 - Forbade to wade through slaughter to a throne, And shut the gates of mercy on mankind ; The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heap the shrine of Luxury and Pride With incense kindled at the Muse's flame. Far from the madding crowd's ignoble strife Their sober wishes never learned to stray: Along the cool, sequestered vale of life They kept the noiseless tenor of their way.
第 380 頁 - Thus every good his native wilds impart Imprints the patriot passion on his heart ; And even those ills that round his mansion rise Enhance the bliss his scanty fund supplies. Dear is that shed to which his soul conforms, And dear that hill which lifts him to the storms ; And as a child, when scaring sounds molest, Clings close and closer to the mother's breast, So the loud torrent and the whirlwind's roar But bind him to his native mountains more.
第 236 頁 - I knew a very wise man that believed that if a man were permitted to make all the ballads, he need not care who should make the laws of a nation!
第 339 頁 - How bow'd the woods beneath their sturdy stroke ! Let not Ambition mock their useful toil, Their homely joys, and destiny obscure ; Nor Grandeur hear with a disdainful smile The short and simple annals of the poor. The boast of heraldry, the pomp of power, And all that beauty, all that wealth e'er gave, Await alike th
第 380 頁 - Dear lovely bowers of innocence and ease, Seats of my youth, when every sport could please, How often have I loitered o'er thy green, Where humble happiness endeared each scene...